1 00:00:51,085 --> 00:00:55,423 CAPTIONING MADE POSSIBLE BY WARNER BROS. 2 00:02:32,553 --> 00:02:35,289 [CARRIAGE WHEELS RATTLING] 3 00:02:35,323 --> 00:02:36,524 [HORSE NEIGHS] 4 00:02:42,263 --> 00:02:43,864 [BRITISH ACCENT] IN SUCH CLOSE QUARTERS, 5 00:02:43,897 --> 00:02:45,633 I FEEL COMPELLED TO INTRODUCE MYSELF. 6 00:02:45,666 --> 00:02:47,868 I'M THOMAS RENFIELD, ESQUIRE. 7 00:02:47,901 --> 00:02:49,570 SOLICITOR FROM LONDON. 8 00:02:49,603 --> 00:02:50,871 Man: AH, ENGLISH! 9 00:02:50,904 --> 00:02:52,940 OH, MY WIFE AND I, WE LOVE THE ENGLISH! 10 00:02:52,973 --> 00:02:54,375 DON'T WE, DEAR? 11 00:02:54,408 --> 00:02:55,809 EH... AHH! 12 00:02:55,843 --> 00:02:57,478 I CONFESS I'M NOT ACCUSTOMED 13 00:02:57,511 --> 00:03:00,314 TO THESE TRANSYLVANIAN ROADS. 14 00:03:01,249 --> 00:03:02,416 FEELING A BIT QUEASY. 15 00:03:02,450 --> 00:03:03,551 QUEASY? 16 00:03:03,584 --> 00:03:06,587 I TELL DRIVER TO GO SLOW. 17 00:03:07,788 --> 00:03:09,423 DRIVER... 18 00:03:11,992 --> 00:03:13,394 THE SUN IS SETTING! 19 00:03:13,427 --> 00:03:15,963 WE MUST MAKE THE VILLAGE BEFORE DARK! 20 00:03:15,996 --> 00:03:18,566 QUICK! QUICK! 21 00:03:18,599 --> 00:03:20,501 OOH! 22 00:03:20,534 --> 00:03:22,936 FASTER, FASTER! 23 00:03:25,739 --> 00:03:26,707 HOLTEN. 24 00:03:26,740 --> 00:03:27,941 HOLTEN! 25 00:03:27,975 --> 00:03:30,744 HOLTEN? HOLD ON, ENGLISH! 26 00:03:32,045 --> 00:03:33,781 OHH! 27 00:03:35,316 --> 00:03:36,850 AAH! 28 00:03:37,751 --> 00:03:40,254 AAH! 29 00:03:41,355 --> 00:03:42,556 NO! 30 00:03:42,590 --> 00:03:44,024 YES, I QUITE UNDERSTAND. 31 00:03:44,057 --> 00:03:45,559 OHH! 32 00:03:50,931 --> 00:03:53,601 I SAY, DRIVER! 33 00:03:53,634 --> 00:03:55,569 CAN YOU SLOW UP A BIT? 34 00:03:55,603 --> 00:03:57,805 YES! 35 00:04:00,574 --> 00:04:01,775 THANK YOU! 36 00:04:13,954 --> 00:04:16,056 AH... 37 00:04:16,089 --> 00:04:17,425 WHOA! 38 00:04:20,661 --> 00:04:23,364 THANK YOU. 39 00:04:23,397 --> 00:04:25,533 OH, DRIVER, DON'T TAKE MY LUGGAGE DOWN. 40 00:04:25,566 --> 00:04:27,601 I'M GOING ON TO VOLGA PASS TONIGHT. 41 00:04:27,635 --> 00:04:28,869 YES. 42 00:04:31,639 --> 00:04:32,606 WHAT ARE YOU DOING?! 43 00:04:32,640 --> 00:04:34,642 TOO DARK. 44 00:04:34,675 --> 00:04:36,577 I GO NO FURTHER. 45 00:04:36,610 --> 00:04:38,846 FROM HERE ON, YOU WALK. 46 00:04:38,879 --> 00:04:40,414 [CLUCKS AND WHISTLES] 47 00:04:41,682 --> 00:04:43,651 YOU ARE GOING ON...TONIGHT? 48 00:04:43,684 --> 00:04:45,386 YES. I'M GOING TO THE CASTLE. 49 00:04:45,419 --> 00:04:47,921 All, gasping: CASTLE! 50 00:04:47,955 --> 00:04:50,791 YES. I'M SHED-ULED TO MEET COUNT DRACULA. 51 00:04:50,824 --> 00:04:52,426 [GASPS] DRACULA! 52 00:04:52,460 --> 00:04:53,494 DRACULA! 53 00:04:53,527 --> 00:04:54,928 DRACULA! 54 00:04:54,962 --> 00:04:56,997 "SHED-ULED"? 55 00:04:59,099 --> 00:05:01,602 YES. I HAVE BUSINESS WITH THE COUNT. 56 00:05:01,635 --> 00:05:03,504 NO, NO, NO! 57 00:05:03,537 --> 00:05:05,539 YOU MUST NOT GO! 58 00:05:05,573 --> 00:05:06,774 WHY NOT? 59 00:05:06,807 --> 00:05:08,542 BECAUSE WE PEOPLE OF THE MOUNTAINS 60 00:05:08,576 --> 00:05:12,546 BELIEVE VAMPIRES LIVE AT THE CASTLE. 61 00:05:12,580 --> 00:05:14,482 VAMPIRES? 62 00:05:14,515 --> 00:05:15,483 YES! 63 00:05:15,516 --> 00:05:17,685 THEY ARE THE UNDEAD. 64 00:05:17,718 --> 00:05:19,119 THEY RISE 65 00:05:19,152 --> 00:05:20,954 FROM THE COFFINS 66 00:05:20,988 --> 00:05:22,890 AT NIGHT. 67 00:05:22,923 --> 00:05:24,458 Woman: YES! 68 00:05:25,459 --> 00:05:26,727 YES... 69 00:05:26,760 --> 00:05:29,897 THEY TAKE THE FORM OF WOLVES OR BATS 70 00:05:29,930 --> 00:05:31,799 AND PUNCTURE THE THROATS 71 00:05:31,832 --> 00:05:33,501 OF THEIR VICTIMS WITH THEIR TEETH 72 00:05:33,534 --> 00:05:40,474 AND DRINK THEIR BL-O-O-O-O-D. 73 00:05:41,609 --> 00:05:44,712 OH, SURELY THAT'S JUST SUPERSTITION. 74 00:05:44,745 --> 00:05:47,881 NO! MADAME VOSVONSKAYA IS RIGHT. 75 00:05:47,915 --> 00:05:50,618 PLEASE, MY SON, 76 00:05:50,651 --> 00:05:52,486 TAKE THIS CROSS. 77 00:05:52,520 --> 00:05:53,854 OH, NO, THANK YOU. 78 00:05:53,887 --> 00:05:54,855 OHH... 79 00:05:54,888 --> 00:05:56,524 TAKE THE CROSS. 80 00:05:56,557 --> 00:05:59,727 ITS HOLY LOVE AND SPIRIT OF GOODNESS 81 00:05:59,760 --> 00:06:04,698 WILL SHIELD YOU FROM THE LURKING DANGE-R-R-R-R-R. 82 00:06:09,470 --> 00:06:11,605 OH, NO, NO, REALLY. NO, THANK YOU. 83 00:06:11,639 --> 00:06:14,141 DAMN IT! TAKE THE CROSS! 84 00:06:14,174 --> 00:06:15,943 YES, OF COURSE. OF COURSE. 85 00:06:15,976 --> 00:06:18,612 THAT'LL BE 15 KOPECKS. 86 00:06:18,646 --> 00:06:19,880 OK. 87 00:06:20,814 --> 00:06:23,984 THANK YOU-U-U-U-U... 88 00:06:31,992 --> 00:06:34,127 [VIBRATING FADES AWAY] 89 00:06:36,930 --> 00:06:39,099 U-U-U-U-U-U... 90 00:06:42,703 --> 00:06:44,838 WELL, IF I HAVE TO WALK, I HAVE TO WALK. 91 00:06:44,872 --> 00:06:47,074 [WOLF HOWLS] 92 00:06:47,107 --> 00:06:48,542 NO! 93 00:06:48,576 --> 00:06:52,813 DON'T GO! PLEASE! I BEG OF YOU! 94 00:06:53,814 --> 00:06:55,616 BUT YOU DON'T UNDERSTAND. 95 00:06:55,649 --> 00:06:57,485 I'M EXPECTED. 96 00:06:57,518 --> 00:06:59,019 WELL... 97 00:06:59,052 --> 00:07:00,788 TA! 98 00:07:21,875 --> 00:07:24,011 [GHOSTLY MOANING] 99 00:07:29,583 --> 00:07:30,951 OHH! 100 00:07:35,756 --> 00:07:37,958 [DOORS OPEN] 101 00:07:56,844 --> 00:07:58,979 [WOOD CREAKING AND GROANING] 102 00:08:07,621 --> 00:08:09,757 [RASPY BREATHING] 103 00:08:10,991 --> 00:08:12,626 Dracula, Slavic accent: BE STRONG! 104 00:08:12,660 --> 00:08:14,294 WHAT? 105 00:08:14,327 --> 00:08:16,664 [RASPY GASP] 106 00:08:21,234 --> 00:08:22,770 OH! 107 00:08:22,803 --> 00:08:25,038 HOW DO YOU DO? 108 00:08:26,006 --> 00:08:28,241 I'M THOMAS RENFIELD, 109 00:08:28,275 --> 00:08:29,843 SOLICITOR FROM LONDON, 110 00:08:29,877 --> 00:08:31,178 TO SEE... 111 00:08:31,211 --> 00:08:32,980 COUNT DRACULA? 112 00:08:37,751 --> 00:08:38,986 [SQUEAKING] OH, MY. 113 00:08:39,019 --> 00:08:41,121 OH! OH, DEAR. OH, NO. 114 00:08:41,154 --> 00:08:43,557 OH! 115 00:08:43,591 --> 00:08:45,225 OHH! UHH! 116 00:08:45,258 --> 00:08:47,027 [PLOP] 117 00:08:47,060 --> 00:08:48,962 CHILDREN... 118 00:08:48,996 --> 00:08:50,998 OF THE NIGHT. 119 00:08:51,031 --> 00:08:54,201 WHAT A MESS THEY MAKE. 120 00:08:54,234 --> 00:08:56,804 I AM COUNT-- 121 00:08:56,837 --> 00:08:58,572 AAH! 122 00:09:01,875 --> 00:09:03,711 ...DRACULA. 123 00:09:04,645 --> 00:09:05,813 ARE YOU HURT? 124 00:09:05,846 --> 00:09:07,147 I AM PERFECTLY FINE. 125 00:09:07,180 --> 00:09:10,283 IT WOULD TAKE MUCH MORE THAN THAT TO HURT ME. 126 00:09:10,317 --> 00:09:12,119 COME. 127 00:09:16,056 --> 00:09:17,825 AH... 128 00:09:17,858 --> 00:09:18,859 OHH... 129 00:09:18,892 --> 00:09:20,027 OOH... 130 00:09:20,060 --> 00:09:22,730 OHH, OHH... 131 00:09:31,839 --> 00:09:34,341 COME, RENFIELD. 132 00:09:39,346 --> 00:09:40,781 OH. 133 00:09:40,814 --> 00:09:42,149 OH. 134 00:09:42,182 --> 00:09:43,951 OH. OH! 135 00:09:43,984 --> 00:09:45,018 OH, DEAR! 136 00:09:45,052 --> 00:09:47,788 Dracula: RENFIELD! DON'T DAWDLE! 137 00:09:47,821 --> 00:09:50,290 BE THERE IN HALF A TICK! 138 00:09:52,359 --> 00:09:53,927 EH... 139 00:09:53,961 --> 00:09:55,963 SORRY I WAS DETAINED. 140 00:09:55,996 --> 00:09:57,264 UH, EMBARRASSING, REALLY. 141 00:09:57,297 --> 00:10:00,067 I THOUGHT I SAW YOU WALK THROUGH THE WEB, 142 00:10:00,100 --> 00:10:01,134 SO I ASSUMED I COULD. 143 00:10:01,168 --> 00:10:02,703 THEN I THOUGHT TO MYSELF, 144 00:10:02,736 --> 00:10:04,237 "WELL, PERHAPS I CAN GO AROUND THE OTHER WAY." 145 00:10:04,271 --> 00:10:06,073 BUT, NO... 146 00:10:06,106 --> 00:10:09,643 NO. IT'S ATTACHED ALONG THE SIDES. 147 00:10:09,677 --> 00:10:10,778 SO I TOLD MYSELF-- 148 00:10:10,811 --> 00:10:12,045 RENFIELD, 149 00:10:12,079 --> 00:10:13,947 I DON'T CARE. 150 00:10:16,149 --> 00:10:18,185 AHH. 151 00:10:20,220 --> 00:10:23,290 AND NOW, IF YOU ARE NOT TOO FATIGUED FROM YOUR JOURNEY, 152 00:10:23,323 --> 00:10:26,359 I'D LIKE TO DISCUSS THE PURCHASE OF CARFAX ABBEY. 153 00:10:26,393 --> 00:10:28,295 YES, OF COURSE. I HAVE THE... 154 00:10:28,328 --> 00:10:29,897 PAPERS RIGHT HERE. 155 00:10:29,930 --> 00:10:32,632 AH, VERY GOOD. 156 00:10:34,434 --> 00:10:35,969 HERE THEY ARE. 157 00:10:38,772 --> 00:10:40,240 OH. 158 00:10:41,341 --> 00:10:43,110 BIT DUSTY, ISN'T IT? 159 00:10:43,143 --> 00:10:44,444 YES. I LIKE IT. 160 00:10:44,477 --> 00:10:47,047 SIGN HERE... 161 00:10:50,017 --> 00:10:51,651 AND HERE. 162 00:10:52,786 --> 00:10:54,855 THERE WE ARE. 163 00:10:54,888 --> 00:10:56,323 YES. CONGRATULATIONS. 164 00:10:56,356 --> 00:10:58,726 YOU ARE NOW THE OWNER OF CARFAX ABBEY. 165 00:10:58,759 --> 00:11:00,260 ONE COPY FOR YOU, 166 00:11:00,293 --> 00:11:03,130 AND ONE COPY FOR ME. 167 00:11:03,163 --> 00:11:04,698 OH... 168 00:11:04,732 --> 00:11:06,133 ARE YOU ALL RIGHT? 169 00:11:06,166 --> 00:11:08,335 YES, JUST A PAPER CUT. 170 00:11:08,368 --> 00:11:09,336 OHH! 171 00:11:09,369 --> 00:11:11,171 OH, DEAR. OH. 172 00:11:14,507 --> 00:11:17,845 OH. DON'T WORRY. I HAVE A HANKIE HERE SOMEWHERE. 173 00:11:17,878 --> 00:11:20,013 LET'S SEE. WHERE ARE WE? 174 00:11:20,047 --> 00:11:22,415 OH, HOW STUPID OF ME! OH! 175 00:11:22,449 --> 00:11:24,251 IT'S WORSE THAN I THOUGHT. 176 00:11:24,284 --> 00:11:27,254 I MUST'VE NIPPED A VESSEL. 177 00:11:41,802 --> 00:11:43,771 [SNORING] 178 00:11:43,804 --> 00:11:45,939 [CREAKING] 179 00:11:54,381 --> 00:11:56,716 [GHOSTLY VOICES SINGING] 180 00:12:07,861 --> 00:12:09,997 [BOTH SIGHING AND MOANING] 181 00:12:19,272 --> 00:12:21,408 [SIGHING AND MOANING] 182 00:12:25,278 --> 00:12:27,247 [MOANING] 183 00:12:27,280 --> 00:12:29,449 MY GOD! 184 00:12:29,482 --> 00:12:32,920 WHAT ARE YOU DOING TO THE FURNITURE? 185 00:12:38,058 --> 00:12:39,993 WHAT ARE YOU ON ABOUT? 186 00:12:40,027 --> 00:12:41,995 WHAT'S ALL THIS, THEN? 187 00:12:42,029 --> 00:12:44,865 WHO ARE YOU PEOPLE?! 188 00:12:44,898 --> 00:12:45,999 I--I'LL HAVE YOU KNOW 189 00:12:46,033 --> 00:12:47,534 THAT'S MY KNEE YOU'RE STRADDLING! 190 00:12:47,567 --> 00:12:50,003 NO, STOP--STOP IT AT ONCE. 191 00:12:50,037 --> 00:12:52,005 OH, HA, NO. 192 00:12:52,039 --> 00:12:54,274 NO, THIS IS WRONG! THIS IS WRONG! 193 00:12:55,375 --> 00:12:56,576 THIS IS WRONG, DO YOU HEAR ME? 194 00:12:56,609 --> 00:12:58,812 WRONG! THIS IS-- 195 00:13:01,281 --> 00:13:03,316 WRONG ME, WRONG ME! 196 00:13:03,350 --> 00:13:06,019 WRONG MY BRAINS OUT! 197 00:13:09,957 --> 00:13:11,324 OH, YES! 198 00:13:11,358 --> 00:13:12,525 [SPEAKS FOREIGN LANGUAGE] 199 00:13:22,235 --> 00:13:25,305 WHAT IS GOING ON HERE? 200 00:13:25,338 --> 00:13:28,909 YOU THINK THIS MAKES ME PROUD OF YOU? 201 00:13:28,942 --> 00:13:30,177 NOW GO... 202 00:13:30,210 --> 00:13:33,080 WHILST I MAKE HIM MY SLAVE. 203 00:13:33,113 --> 00:13:35,248 [GHOSTLY VOICES SINGING] 204 00:13:40,220 --> 00:13:41,521 Dracula: AND STOP THAT! 205 00:13:41,554 --> 00:13:42,990 [GHOSTLY SINGING STOPS] 206 00:13:43,023 --> 00:13:45,158 [SHOES CLOMPING] 207 00:13:48,261 --> 00:13:51,198 SO, RENFIELD, 208 00:13:51,231 --> 00:13:52,465 DO YOU FEEL BETTER NOW? 209 00:13:52,499 --> 00:13:54,134 YOU WERE HAVING A NIGHTMARE. 210 00:13:54,167 --> 00:13:55,302 A NIGHTMARE? 211 00:13:55,335 --> 00:13:57,504 BUT IT WAS SO REAL, SO VIVID. 212 00:13:57,537 --> 00:13:59,506 2 VOLUPTUOUS WOMEN, 213 00:13:59,539 --> 00:14:01,241 GRINDING, HEAVING! 214 00:14:01,274 --> 00:14:03,010 HOW TO DESCRIBE IT... 215 00:14:03,043 --> 00:14:05,245 HAVE YOU EVER BEEN TO PARIS? 216 00:14:05,278 --> 00:14:06,846 YES. 217 00:14:08,181 --> 00:14:11,118 LET ME SHOW YOU AN OLD TRANSYLVANIAN METHOD 218 00:14:11,151 --> 00:14:13,553 FOR RELAXATION. 219 00:14:13,586 --> 00:14:17,057 LOOK INTO MY EYES. 220 00:14:17,090 --> 00:14:20,994 [DRONING] YOUR EYELIDS ARE GETTING HEAVY... 221 00:14:21,028 --> 00:14:22,095 [SNORING] 222 00:14:22,129 --> 00:14:23,430 YOU FEEL TH-- 223 00:14:23,463 --> 00:14:26,934 RENFIELD, YOU FELL ASLEEP TOO SOON. 224 00:14:26,967 --> 00:14:30,203 I HAVE MORE TO TELL YOU. 225 00:14:30,237 --> 00:14:31,471 WAKE UP. [SLAP] 226 00:14:33,306 --> 00:14:35,042 NOW... 227 00:14:35,075 --> 00:14:38,445 [DRONING] YOU ARE FEELING DROWSY. 228 00:14:38,478 --> 00:14:41,014 [SNORING] 229 00:14:41,048 --> 00:14:44,317 WHAT A SIMPLETON. 230 00:14:45,385 --> 00:14:48,621 RENFIELD! FORGET ABOUT SLEEPING! 231 00:14:48,655 --> 00:14:50,457 LISTEN TO ME. 232 00:14:50,490 --> 00:14:53,193 [DRONING] YOU HEAR ONLY MY VOICE. 233 00:14:53,226 --> 00:14:55,595 FROM THIS MOMENT ON, YOU ARE MY SLAVE. 234 00:14:55,628 --> 00:14:58,431 YOU WILL SACRIFICE EVERYTHING 235 00:14:58,465 --> 00:15:00,600 FOR MY SAFETY. 236 00:15:00,633 --> 00:15:02,936 IN RETURN, 237 00:15:02,970 --> 00:15:06,539 I WILL GIVE YOU LIVES. NOT BIG LIVES-- 238 00:15:06,573 --> 00:15:08,441 INSECTS... 239 00:15:08,475 --> 00:15:10,010 FLIES... 240 00:15:10,043 --> 00:15:12,012 SPIDERS. 241 00:15:12,045 --> 00:15:14,647 I HAVE CHARTERED A SHIP TO TAKE US TO ENGLAND. 242 00:15:14,681 --> 00:15:17,284 WE WILL LEAVE TOMORROW EVENING. 243 00:15:17,317 --> 00:15:19,953 I COMMAND YOU, 244 00:15:19,987 --> 00:15:23,223 WATCH OVER THE SAFETY OF MY COFFIN. 245 00:15:23,256 --> 00:15:25,425 YES, MASTER! 246 00:15:30,363 --> 00:15:32,499 [WIND HOWLING] 247 00:15:49,116 --> 00:15:50,317 OOH! 248 00:15:51,551 --> 00:15:53,120 A-A-A-HH... 249 00:15:53,153 --> 00:15:54,587 OOH! 250 00:15:55,788 --> 00:15:58,191 RENFIELD! 251 00:15:58,225 --> 00:16:00,227 UHH! 252 00:16:00,260 --> 00:16:02,395 [LAUGHING MANIACALLY] 253 00:16:04,564 --> 00:16:07,134 Dracula: RENFIELD! 254 00:16:07,167 --> 00:16:10,003 I'M COMING, MASTER! 255 00:16:10,037 --> 00:16:11,704 MASTER, MASTER! 256 00:16:11,738 --> 00:16:14,407 DON'T WORRY. I'LL HELP YOU! 257 00:16:17,044 --> 00:16:18,245 AAH! 258 00:16:23,450 --> 00:16:25,285 OHH! 259 00:16:27,187 --> 00:16:29,656 I HAVE YOU NOW, MASTER! 260 00:16:29,689 --> 00:16:30,757 AAH! 261 00:16:30,790 --> 00:16:33,160 UHH! OHH. 262 00:16:43,136 --> 00:16:45,572 OHH... 263 00:16:45,605 --> 00:16:47,307 YOU LOOK POORLY, MASTER. 264 00:16:47,340 --> 00:16:49,309 YOU'RE ALL DRIED OUT. 265 00:16:49,342 --> 00:16:51,478 HERE. YOU SHOULD HAVE FLUIDS. 266 00:16:51,511 --> 00:16:54,281 YES, I AGREE. 267 00:16:54,314 --> 00:16:56,283 I THINK I WILL START... 268 00:16:56,316 --> 00:16:57,717 WITH THE FIRST MATE. 269 00:16:57,750 --> 00:16:59,419 MMM... 270 00:17:06,826 --> 00:17:09,162 [BELLS TOLLING] 271 00:17:16,703 --> 00:17:19,038 [STRING INSTRUMENTS TUNING UP] 272 00:17:31,251 --> 00:17:34,087 OH, IT MAKES ME SO HAPPY TO BE AT THE OPERA. 273 00:17:34,121 --> 00:17:37,390 I LOVE THIS PALACE OF ART AND BEAUTY. 274 00:17:37,424 --> 00:17:38,758 OH, YES, MY DEAR. 275 00:17:38,791 --> 00:17:41,428 THE OPERA IS ASTONISHING. 276 00:17:41,461 --> 00:17:44,197 THE MUSIC IS FRAUGHT WITH LOVE, 277 00:17:44,231 --> 00:17:45,865 HATE, SENSUALITY, 278 00:17:45,898 --> 00:17:47,867 AND UNBRIDLED PASSION... 279 00:17:47,900 --> 00:17:49,369 ALL THE THINGS IN MY LIFE 280 00:17:49,402 --> 00:17:51,304 I'VE MANAGED TO SUPPRESS. 281 00:17:53,140 --> 00:17:55,242 SORRY I'M LATE, MY DEAR. 282 00:17:55,275 --> 00:17:57,110 WE WERE WORRIED, FATHER. 283 00:17:57,144 --> 00:17:59,679 MMM. I'M SORRY. SIT, SIT, SIT, SIT. 284 00:17:59,712 --> 00:18:02,115 I WAS DETAINED AT MY ASYLUM. 285 00:18:02,149 --> 00:18:05,152 THE MOST EXTRAORDINARY LUNATIC WAS BROUGHT IN TODAY. 286 00:18:05,185 --> 00:18:06,753 HE WAS THE ONLY MAN FOUND ALIVE 287 00:18:06,786 --> 00:18:08,555 ON THAT SCHOONER THAT DRIFTED INTO WHITBY HARBOR. 288 00:18:08,588 --> 00:18:10,223 ABSOLUTELY BE-ZARRE. 289 00:18:10,257 --> 00:18:11,391 HELLO. 290 00:18:11,424 --> 00:18:13,126 CAN I HELP YOU, SIR? 291 00:18:13,160 --> 00:18:15,395 YES, YOU MAY HELP ME. 292 00:18:15,428 --> 00:18:18,131 DR. SEWARD IS IN THE NEXT BOX. 293 00:18:18,165 --> 00:18:19,399 IT IS IMPERATIVE 294 00:18:19,432 --> 00:18:22,335 THAT I MEET WITH HIM ALONE. 295 00:18:24,171 --> 00:18:25,438 YOU WILL TELL HIM 296 00:18:25,472 --> 00:18:28,308 THERE IS A MESSAGE FOR HIM IN THE LOBBY. 297 00:18:28,341 --> 00:18:31,578 [MECHANICALLY] A MESSAGE FOR DR. SEWARD 298 00:18:31,611 --> 00:18:33,146 IN THE LOBBY. 299 00:18:33,180 --> 00:18:35,148 GOOD. NOW GO. 300 00:18:35,182 --> 00:18:37,217 MESSAGE IN THE LOBBY 301 00:18:37,250 --> 00:18:39,886 FOR DR. SEWARD. 302 00:18:39,919 --> 00:18:42,789 AND YOU WILL REMEMBER NOTHING 303 00:18:42,822 --> 00:18:45,792 OF WHAT I TELL YOU. 304 00:18:56,203 --> 00:18:58,137 EXTRAORDINARY. 305 00:18:59,206 --> 00:19:00,173 HELLO. 306 00:19:00,207 --> 00:19:01,908 CAN I HELP YOU, SIR? 307 00:19:01,941 --> 00:19:03,543 [MOCKING] CAN I HELP YOU, SIR? 308 00:19:03,576 --> 00:19:04,811 WHAT IS THE MATTER WITH YOU? 309 00:19:04,844 --> 00:19:06,413 WHY DID YOU NOT TELL HIM? 310 00:19:06,446 --> 00:19:08,248 ABOUT WHAT? 311 00:19:08,281 --> 00:19:10,783 ABOUT THE MESSAGE. 312 00:19:10,817 --> 00:19:12,619 FOR WHOM? 313 00:19:12,652 --> 00:19:13,920 NEVER MIND! 314 00:19:13,953 --> 00:19:16,389 I WILL TELL HIM MYSELF. 315 00:19:16,423 --> 00:19:19,192 AND FOR YOUR MISERABLE PERFORMANCE, 316 00:19:19,226 --> 00:19:21,494 YOU WILL RECEIVE NO TIP. 317 00:19:21,528 --> 00:19:23,363 NO TIP?! 318 00:19:23,396 --> 00:19:26,599 OH! TH YOU REMEMBER. 319 00:19:27,700 --> 00:19:29,736 OH, LOOK WHO'S SINGING HERE. 320 00:19:33,005 --> 00:19:34,807 EXCUSE ME. 321 00:19:34,841 --> 00:19:36,543 ARE YOU THE DR. SEWARD 322 00:19:36,576 --> 00:19:39,279 WHOSE SANITARIUM IS IN WHITBY? 323 00:19:39,312 --> 00:19:40,647 WHY, YES. 324 00:19:40,680 --> 00:19:42,915 I HAVE JUST PURCHASED CARFAX ABBEY, 325 00:19:42,949 --> 00:19:46,286 AND I UNDERSTAND IT ADJOINS YOUR GROUNDS. 326 00:19:46,319 --> 00:19:48,388 QUITE SO, QUITE SO. AND--AND YOU ARE? 327 00:19:48,421 --> 00:19:50,690 OH. HEH. FORGIVE ME. 328 00:19:50,723 --> 00:19:52,925 I AM SO RENOWNED IN MY OWN COUNTRY, 329 00:19:52,959 --> 00:19:56,696 I SOMETIMES FORGET TO INTRODUCE MYSELF. 330 00:19:56,729 --> 00:19:57,964 I AM COUNT-- 331 00:19:57,997 --> 00:19:59,966 [MECHANICALLY] DR. SEWARD... 332 00:19:59,999 --> 00:20:02,435 THERE IS A MESSAGE FOR YOU 333 00:20:02,469 --> 00:20:03,703 IN THE LOBBY. 334 00:20:03,736 --> 00:20:05,405 Seward: DEAR GOD! WHAT A--[MUTTERS] 335 00:20:05,438 --> 00:20:06,739 OH, BOTHER. 336 00:20:06,773 --> 00:20:08,275 EXCUSE ME. 337 00:20:08,308 --> 00:20:10,310 DRACU-- 338 00:20:10,343 --> 00:20:11,511 ...LA. 339 00:20:11,544 --> 00:20:13,613 EH, HOW DO YOU DO, COUNT DRACULA? 340 00:20:13,646 --> 00:20:16,883 UM, I'M JONATHAN HARKER, DR. SEWARD'S ASSISTANT. 341 00:20:16,916 --> 00:20:19,252 THIS IS LUCY WESTENRA, 342 00:20:19,286 --> 00:20:23,323 AND THIS IS MY FIANCEE, DR. SEWARD'S DAUGHTER, MINA. 343 00:20:23,356 --> 00:20:24,691 COUNT DRACULA. 344 00:20:24,724 --> 00:20:26,426 IT WILL BE A RELIEF TO SEE LIGHTS BURNING 345 00:20:26,459 --> 00:20:27,660 THROUGH THOSE DISMAL WINDOWS 346 00:20:27,694 --> 00:20:29,629 OF CARFAX ABBEY ONCE AGAIN. 347 00:20:29,662 --> 00:20:31,264 Lucy: OH, YES! 348 00:20:31,298 --> 00:20:32,832 THE ABBEY ALWAYS REMINDS ME OF THAT OLD TOAST. 349 00:20:32,865 --> 00:20:34,033 YOU KNOW... 350 00:20:34,066 --> 00:20:35,635 LOFTY TIMBERS, 351 00:20:35,668 --> 00:20:37,704 THE WALLS AROUND ARE BARE, 352 00:20:37,737 --> 00:20:39,706 ECHOING TO OUR LAUGHTER, 353 00:20:39,739 --> 00:20:42,041 AS THOUGH THE DEAD WERE THERE. 354 00:20:42,074 --> 00:20:45,512 I LIKE THE WAY YOU THINK, MY DEAR. 355 00:20:45,545 --> 00:20:48,581 DEATH IS ONE OF MY FAVORITE SUBJECTS. 356 00:20:48,615 --> 00:20:52,352 WE MUST GET TOGETHER AND HAVE A LONG DISCUSSION. 357 00:20:52,385 --> 00:20:54,987 VERY LONG. 358 00:20:55,021 --> 00:20:56,756 AND NOW I TAKE MY LEAVE. 359 00:20:56,789 --> 00:20:58,825 I HAVE A PRESSING APPOINTMENT. 360 00:21:04,631 --> 00:21:06,566 COUNT DRACULA? 361 00:21:08,034 --> 00:21:10,770 I AM SORRY, MY DEAR, BUT YOU HAVE... 362 00:21:10,803 --> 00:21:14,874 SUCH A LOVELY UCIPITAL MAPILLARY. 363 00:21:14,907 --> 00:21:16,609 WHAT'S THAT? 364 00:21:19,446 --> 00:21:20,947 THIS. 365 00:21:21,948 --> 00:21:23,516 OH. 366 00:21:23,550 --> 00:21:25,418 THANK YOU. 367 00:21:26,085 --> 00:21:29,121 AND NOW, I TAKE MY LEAVE. 368 00:21:32,992 --> 00:21:34,494 [CURTAIN RATTLES] 369 00:21:34,527 --> 00:21:37,430 THERE'S SOMETHING... 370 00:21:37,464 --> 00:21:39,832 OTHERWORLDLY ABOUT THAT MAN. 371 00:21:39,866 --> 00:21:41,734 HE GIVES ME THE SHIVERS. 372 00:21:41,768 --> 00:21:43,403 OH, YES... 373 00:21:43,436 --> 00:21:45,572 ME, TOO. 374 00:22:00,019 --> 00:22:03,423 Lucy: OH, COUNT DRACULA... 375 00:22:03,456 --> 00:22:06,693 WISH WE COULD HAVE THAT LONG, LONG TALK... 376 00:22:06,726 --> 00:22:08,995 RIGHT NOW. 377 00:22:45,632 --> 00:22:47,767 [GIGGLES] 378 00:23:06,586 --> 00:23:08,721 [SHIVERS] 379 00:23:13,092 --> 00:23:14,694 AAH! 380 00:23:14,727 --> 00:23:16,429 [THUD] 381 00:23:16,463 --> 00:23:17,630 [GLASS SQUEAKS] 382 00:23:17,664 --> 00:23:19,398 [THUD] 383 00:23:22,201 --> 00:23:23,670 MMM. 384 00:23:27,073 --> 00:23:29,408 [BAT SQUEAKS] [WIND BLOWS] 385 00:23:31,478 --> 00:23:33,613 [GRUNTING] 386 00:23:42,088 --> 00:23:44,190 [KNOCK ON DOOR] [DOOR OPENS] 387 00:23:45,157 --> 00:23:46,793 OH, EXCUSE US, MY DEAR. 388 00:23:46,826 --> 00:23:49,228 OH, DR. SEWARD. [GASPS] JONATHAN! 389 00:23:49,261 --> 00:23:51,531 UM, I WAS SLEEPING. 390 00:23:51,564 --> 00:23:53,199 YES, UH, WE'RE SORRY, DEAR, 391 00:23:53,232 --> 00:23:55,001 BUT WE HEARD A NOISE IN THE BUSHES BELOW YOUR WINDOW. 392 00:23:55,034 --> 00:23:56,869 WE THOUGHT PERHAPS IT MIGHT BE A PROWLER. 393 00:23:56,903 --> 00:23:58,971 YES. WOULD YOU MIND TERRIBLY IF WE HAD A LOOK ABOUT? 394 00:23:59,005 --> 00:24:01,007 OH, NO, PLEASE DO. 395 00:24:05,878 --> 00:24:07,847 WELL, NOTHING OUT HERE. 396 00:24:07,880 --> 00:24:09,816 NOTHING AMISS HERE, EITHER. 397 00:24:09,849 --> 00:24:11,484 AH, WHAT A RELIEF. 398 00:24:11,518 --> 00:24:14,721 I'M VERY CONFIDENT THERE'S NO DANGER HERE WHATSOEVER. 399 00:24:20,993 --> 00:24:22,762 SORRY TO DISTURB YOU, DEAR. 400 00:24:22,795 --> 00:24:24,497 WE'VE SEARCHED EVERY INCH OF THE ROOM, 401 00:24:24,531 --> 00:24:26,032 AND THERE'S NO SIGN OF FORCIBLE ENTRY. 402 00:24:26,065 --> 00:24:26,833 GOOD NIGHT. 403 00:24:26,866 --> 00:24:28,835 GOOD NIGHT. 404 00:24:28,868 --> 00:24:30,970 HUH. SOMETHING WRONG WITH THIS LATCH. 405 00:24:31,003 --> 00:24:32,639 NOT TO WORRY. 406 00:24:32,672 --> 00:24:35,007 I'LL GIVE IT A JOLLY GOOD SLAM! [CHUCKLES] 407 00:24:35,041 --> 00:24:36,776 [GASPS] 408 00:24:38,945 --> 00:24:40,580 [FABRIC RIPS] OHH! 409 00:24:43,683 --> 00:24:45,818 [SIGHS] 410 00:25:05,772 --> 00:25:07,907 [HISSES] 411 00:25:11,010 --> 00:25:12,679 OHH! 412 00:25:12,712 --> 00:25:14,847 [LAPPING] 413 00:25:15,948 --> 00:25:18,084 [SLURPING THROUGH STRAW] 414 00:25:21,120 --> 00:25:23,255 [BIRDS CHIRPING] 415 00:25:24,123 --> 00:25:25,858 Renfield: MASTER! 416 00:25:26,993 --> 00:25:29,128 [WOMAN CACKLING] 417 00:25:31,864 --> 00:25:34,000 [PATIENTS MOANING] 418 00:25:35,868 --> 00:25:37,269 RENFIELD! 419 00:25:37,303 --> 00:25:39,071 YES? 420 00:25:39,105 --> 00:25:40,973 I CAN'T TAKE IT. CAN YOU TAKE IT? 421 00:25:41,007 --> 00:25:43,109 THE LIGHTS, THE SCREAMING, 422 00:25:43,142 --> 00:25:45,712 THE CRAZY FACES STARING AT ME. 423 00:25:45,745 --> 00:25:47,880 I TELL YOU, THE WALLS ARE CLOSING IN ON ME. 424 00:25:47,914 --> 00:25:49,749 I'VE GOT TO GET OUT OF HERE! 425 00:25:49,782 --> 00:25:51,584 GUARD! GET BACK TO WORK! 426 00:25:51,618 --> 00:25:53,586 YES, SIR! 427 00:26:07,166 --> 00:26:09,268 COME ALONG THEN, RENFIELD. 428 00:26:09,301 --> 00:26:11,804 YOU'RE GOING TO HAVE TEA WITH THE GOVERNOR. 429 00:26:11,838 --> 00:26:13,005 AT LAST. 430 00:26:13,039 --> 00:26:14,641 NOW YOU'LL SEE, MARTIN. 431 00:26:14,674 --> 00:26:17,276 DR. SEWARD WILL BELIEVE I'M NOT INSANE. 432 00:26:17,309 --> 00:26:19,646 I WOULDN'T BET ME LAST SHILLING ON IT. 433 00:26:19,679 --> 00:26:21,580 LET'S GO. 434 00:26:23,883 --> 00:26:26,018 [FLY BUZZING] 435 00:26:33,092 --> 00:26:34,827 STAY. 436 00:26:38,064 --> 00:26:39,165 DR. SEWARD? 437 00:26:39,198 --> 00:26:40,399 YES? 438 00:26:40,432 --> 00:26:42,769 MR. RENFIELD IS HERE. 439 00:26:42,802 --> 00:26:44,036 OH, GOOD. SEND HIM UP, MARTIN. 440 00:26:44,070 --> 00:26:46,272 OH, McMANUS, 441 00:26:46,305 --> 00:26:47,674 THE PATIENT IN THE WEST WING? 442 00:26:47,707 --> 00:26:48,841 Seward: YES? 443 00:26:48,875 --> 00:26:50,309 HE'S HAVING A CONNIPTION FIT. 444 00:26:50,342 --> 00:26:51,744 OH. 445 00:26:51,778 --> 00:26:53,680 GIVE HIM AN ENEMA. 446 00:26:54,747 --> 00:26:56,315 AN ENEMA? 447 00:26:56,348 --> 00:26:59,151 YES. IT'LL GIVE HIM A FEELING OF ACCOMPLISHMENT. 448 00:26:59,185 --> 00:27:00,920 YES, SIR. 449 00:27:03,990 --> 00:27:05,925 OH, RENFIELD. GOOD OF YOU TO COME. 450 00:27:05,958 --> 00:27:06,993 NICE TO SEE YOU, OLD CHAP. 451 00:27:07,026 --> 00:27:08,194 HOW ARE WE FEELING TODAY? 452 00:27:08,227 --> 00:27:10,663 NORMAL. PERFECTLY NORMAL. 453 00:27:10,697 --> 00:27:12,699 EXCELLENT. EXCELLENT. EXCELLENT. 454 00:27:12,732 --> 00:27:16,703 DR. SEWARD, MAY I ASK WHY I'VE BEEN BROUGHT TO THE SANITARIUM? 455 00:27:16,736 --> 00:27:19,271 OH, WE WOULD JUST LIKE TO PERFORM A FEW TESTS, THAT'S ALL. 456 00:27:19,305 --> 00:27:20,673 IF YOU DON'T MIND? 457 00:27:20,707 --> 00:27:22,208 NO. NOT AT ALL. AS YOU CAN SEE, 458 00:27:22,241 --> 00:27:23,876 I'M QUITE ALL RIGHT NOW. 459 00:27:23,910 --> 00:27:24,877 QUITE SO. QUITE SO. 460 00:27:24,911 --> 00:27:26,178 OH, HUNGRY? 461 00:27:26,212 --> 00:27:27,179 FAMISHED. 462 00:27:27,213 --> 00:27:28,247 HELP YOURSELF. 463 00:27:28,280 --> 00:27:30,049 YES, SUCH A BOUNTY. YES. 464 00:27:32,284 --> 00:27:34,220 I WAS JUST TELLING MAR-- 465 00:27:34,253 --> 00:27:35,922 WHAT WAS THAT? 466 00:27:35,955 --> 00:27:37,156 WHAT? 467 00:27:37,189 --> 00:27:38,925 YOU JUST GRABBED SOMETHING FROM THE TABLE. 468 00:27:38,958 --> 00:27:39,926 I DID NOT. 469 00:27:39,959 --> 00:27:40,993 YES, YOU DID. I SAW YOU. 470 00:27:41,027 --> 00:27:42,328 YOU PUT IT IN YOUR MOUTH. 471 00:27:42,361 --> 00:27:43,763 I THINK IT WAS AN INSECT. 472 00:27:43,796 --> 00:27:46,098 OH, THAT WAS A RASPBERRY. 473 00:27:46,132 --> 00:27:47,199 RASPBERRY? 474 00:27:47,233 --> 00:27:49,101 WE'RE NOT SERVING RASPBERRIES. 475 00:27:49,135 --> 00:27:51,203 IT MUST HAVE BEEN A RAISIN. 476 00:27:51,237 --> 00:27:52,905 YES, IT FELL OFF THE MUFFIN. 477 00:27:52,939 --> 00:27:54,206 THERE. SEEMS TO BE ONE MISSING. 478 00:27:54,240 --> 00:27:55,742 IT'S MISSING. 479 00:27:55,775 --> 00:27:58,277 A RAISIN, OF COURSE. YES... 480 00:27:58,310 --> 00:27:59,411 [SEWARD LAUGHING] 481 00:27:59,445 --> 00:28:01,013 HOW EXTRAORDINARY. 482 00:28:01,047 --> 00:28:02,481 HOW SILLY OF ME. 483 00:28:02,514 --> 00:28:04,316 MUST'VE BEEN MY IMAGINATION-- 484 00:28:04,350 --> 00:28:05,384 THERE. YOU DID IT AGAIN. 485 00:28:05,417 --> 00:28:06,819 Renfield: WHAT? 486 00:28:06,853 --> 00:28:08,320 YOU--YOU--YOU JUST PUT A BUG IN YOUR MOUTH. 487 00:28:08,354 --> 00:28:10,122 I--I--I THINK IT WAS A SPIDER. 488 00:28:10,156 --> 00:28:11,390 I DID NOT. YES, YOU DID. 489 00:28:11,423 --> 00:28:12,859 I DID NOT. YES, YOU DID. 490 00:28:12,892 --> 00:28:13,860 I DID NOT. YES, YOU DID. 491 00:28:13,893 --> 00:28:14,894 I DID NOT. YES, YOU DID. 492 00:28:14,927 --> 00:28:16,162 I DID NOT. I TELL YOU 493 00:28:16,195 --> 00:28:17,930 I SAW YOU SNATCH A SPIDER 494 00:28:17,964 --> 00:28:19,431 RIGHT OUT OF THE AIR AND EAT IT! 495 00:28:19,465 --> 00:28:21,433 A SPIDER? 496 00:28:21,467 --> 00:28:22,501 [SWALLOWS] 497 00:28:22,534 --> 00:28:23,736 HOW ABSURD. 498 00:28:23,770 --> 00:28:25,037 Seward: HUH. 499 00:28:28,274 --> 00:28:29,241 WHAT? 500 00:28:29,275 --> 00:28:30,977 OH. DROPPED MY FORK. 501 00:28:31,010 --> 00:28:32,244 DROPPED IT? YOU FLUNG IT. 502 00:28:32,278 --> 00:28:34,113 WHAT'S THE MATTER WITH YOU? I DON'T UNDER-- 503 00:28:34,146 --> 00:28:36,415 MR. RENFIELD, WHAT ARE YOU DOING DOWN THERE? 504 00:28:36,448 --> 00:28:38,117 WHAT-- WHAT ARE YOU-- 505 00:28:38,150 --> 00:28:39,351 Renfield: FORK FOUND! 506 00:28:39,385 --> 00:28:42,221 THIS IS MOST UNSEEMLY. I DON'T THINK I-- 507 00:28:42,254 --> 00:28:44,356 SORRY FOR THE DELAY. 508 00:28:46,192 --> 00:28:47,760 MY GOD, MAN. 509 00:28:47,794 --> 00:28:50,396 YOU'RE EATING INSECTS RIGHT FROM THE GROUND. 510 00:28:50,429 --> 00:28:52,031 WHAT MAKES YOU SAY THAT? 511 00:28:52,064 --> 00:28:54,166 BECAUSE I CAN SEE ONE TRYING TO GET OUT OF YOUR MOUTH! 512 00:28:54,200 --> 00:28:55,301 [STAMMERS] 513 00:28:55,334 --> 00:28:57,303 OUT OF MY MOUTH? 514 00:28:57,336 --> 00:28:59,205 YES, OUT OF YOUR MOUTH. YOUR VERY OWN MOUTH. 515 00:28:59,238 --> 00:29:00,372 IT'S WRIGGLING ABOUT! 516 00:29:00,406 --> 00:29:01,774 DON'T BE RIDICULOUS. WRIGGLING? 517 00:29:01,808 --> 00:29:02,875 I'M NOT RIDICULOUS AT ALL! 518 00:29:02,909 --> 00:29:04,276 IT'S WRIGGLING ALL OVER THE PLACE! 519 00:29:04,310 --> 00:29:06,012 POOR THING IS FIGHTING FOR ITS LIFE! 520 00:29:07,213 --> 00:29:08,514 [CRUNCHES] 521 00:29:08,547 --> 00:29:09,949 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 522 00:29:09,982 --> 00:29:11,350 IF YOU INSIST ON RANTING LIKE THIS, 523 00:29:11,383 --> 00:29:12,384 I'M GOING TO LEAVE. 524 00:29:12,418 --> 00:29:13,853 ME RANTING? YOU'RE THE RANTER! 525 00:29:13,886 --> 00:29:14,887 [FLY BUZZING] 526 00:29:14,921 --> 00:29:15,922 HELLO, LITTLE DARLING. 527 00:29:15,955 --> 00:29:17,857 DON'T BE AFRAID. 528 00:29:17,890 --> 00:29:20,092 HA HA HA! 529 00:29:20,126 --> 00:29:21,327 OH, HE'S CRACKING. 530 00:29:21,360 --> 00:29:22,895 I WON'T HURT YOU. 531 00:29:22,929 --> 00:29:25,064 ALL I WANT IS YOUR LIFE! 532 00:29:25,097 --> 00:29:26,365 NO! 533 00:29:26,398 --> 00:29:28,434 MARTIN! 534 00:29:28,467 --> 00:29:30,870 MARTIN! 535 00:29:30,903 --> 00:29:31,938 HA HA HA! 536 00:29:31,971 --> 00:29:33,339 PUT HIM IN A STRAITJACKET 537 00:29:33,372 --> 00:29:34,506 AND GIVE HIM AN ENEMA. 538 00:29:34,540 --> 00:29:36,008 WAIT! 539 00:29:36,042 --> 00:29:37,576 GIVE HIM AN ENEMA FIRST. 540 00:29:37,609 --> 00:29:40,212 THEN PUT HIM IN A STRAITJACKET. 541 00:29:40,246 --> 00:29:41,280 YES, SIR. [FLY BUZZING] 542 00:29:41,313 --> 00:29:42,314 LIVES! LIVES! 543 00:29:48,054 --> 00:29:50,489 OH, LUCY, YOU LAZY GIRL. 544 00:29:50,522 --> 00:29:52,124 IT'S PAST 10:00. 545 00:29:52,158 --> 00:29:54,260 THE HORSES ARE SADDLED AND WAITING. 546 00:29:57,029 --> 00:29:58,497 OHH. 547 00:29:58,530 --> 00:30:01,834 MINA, I DON'T THINK I COULD PUT A FOOT 548 00:30:01,868 --> 00:30:03,836 OUT OF BED TODAY. 549 00:30:03,870 --> 00:30:06,839 HAD SUCH HORRID DREAMS. 550 00:30:06,873 --> 00:30:08,107 [SIGHS] 551 00:30:08,140 --> 00:30:11,043 I FEEL COMPLETELY DRAINED. 552 00:30:11,077 --> 00:30:12,979 DARLING, YOU'RE DREADFULLY PALE. 553 00:30:13,012 --> 00:30:15,181 YOU LOOK ABSOLUTELY PEAKED. 554 00:30:15,214 --> 00:30:17,383 PERHAPS FATHER SHOULD HAVE A LOOK AT YOU? 555 00:30:17,416 --> 00:30:18,918 YES, PERHAPS. 556 00:30:18,951 --> 00:30:21,087 [SIGHS] 557 00:30:21,954 --> 00:30:22,989 [DOOR CLOSES] 558 00:30:23,022 --> 00:30:24,423 OHH. 559 00:30:27,994 --> 00:30:29,128 OHH. 560 00:30:29,161 --> 00:30:30,362 FATHER... YES? 561 00:30:30,396 --> 00:30:31,630 IT'S LUCY. 562 00:30:31,663 --> 00:30:32,999 WHAT'S THE MATTER WITH HER? 563 00:30:33,032 --> 00:30:34,066 WELL, I DON'T KNOW. 564 00:30:34,100 --> 00:30:35,534 SHE'S FRIGHTFULLY PALE AND WAN. 565 00:30:35,567 --> 00:30:38,537 PALE? WAN?I'D BEST HAVE A LOOK. 566 00:30:42,441 --> 00:30:44,476 OHH. 567 00:30:44,510 --> 00:30:46,212 I'VE GIVEN YOU SOME LAUDANUM, DEAR. 568 00:30:46,245 --> 00:30:47,947 IT'LL HELP YOU SLEEP. 569 00:30:48,948 --> 00:30:50,649 I SEE NO SIGN OF INFECTION. 570 00:30:50,682 --> 00:30:52,518 ARE YOU SURE YOU DON'T REMEMBER 571 00:30:52,551 --> 00:30:54,153 WHERE THESE MARKS CAME FROM? 572 00:30:54,186 --> 00:30:55,387 Jonathan: AN INSECT? 573 00:30:55,421 --> 00:30:56,889 PERHAPS A SPIDER? 574 00:30:56,923 --> 00:30:58,424 DO YOU RECALL BEING BITTEN? 575 00:30:58,457 --> 00:31:00,292 NO. 576 00:31:00,326 --> 00:31:02,594 BUT I HAD A DREAM. 577 00:31:02,628 --> 00:31:04,296 OH, YES? 578 00:31:04,330 --> 00:31:06,198 WHAT ABOUT THAT DREAM? 579 00:31:06,232 --> 00:31:09,101 [MECHANICALLY] I REMEMBER NOTHING. 580 00:31:14,506 --> 00:31:16,675 SHE'S ASLEEP. 581 00:31:16,708 --> 00:31:18,911 I MUST CONFESS, I'M COMPLETELY CONFOUNDED. 582 00:31:18,945 --> 00:31:20,446 I'M GOING TO TAKE THE LIBERTY 583 00:31:20,479 --> 00:31:22,448 OF CONTACTING PROFESSOR ABRAHAM VAN HELSING. 584 00:31:22,481 --> 00:31:24,416 VAN HELSING? 585 00:31:24,450 --> 00:31:26,485 I THOUGHT HE WAS SOME SORT OF METAPHYSICIAN AND PHILOSOPHER? 586 00:31:26,518 --> 00:31:27,686 HE'S ALSO A MEDICAL DOCTOR, 587 00:31:27,719 --> 00:31:29,255 KNOWS MORE ABOUT OBSCURE DISEASES 588 00:31:29,288 --> 00:31:30,622 THAN ANYONE IN THE WORLD. 589 00:31:30,656 --> 00:31:32,424 HE MAY BE THE ONLY MAN WHO CAN HELP US. 590 00:31:32,458 --> 00:31:34,393 OH, YES. CONTACT HIM, FATHER. 591 00:31:34,426 --> 00:31:36,295 CONTACT HIM STRAIGHTAWAY. 592 00:31:36,328 --> 00:31:38,030 YES. 593 00:31:48,707 --> 00:31:50,576 Van Helsing, Germanic accent: GENTLEMEN, 594 00:31:50,609 --> 00:31:54,580 YOU ARE ABOUT TO OBSERVE YOUR FIRST AUTOPSY. 595 00:31:54,613 --> 00:31:56,615 IT IS NOT UNUSUAL 596 00:31:56,648 --> 00:31:58,384 FOR SOME MEMBERS OF THE FRESHMEN CLASS 597 00:31:58,417 --> 00:32:02,121 TO FEEL A BIT FAINT DURING THIS PROCEDURE. 598 00:32:02,154 --> 00:32:04,957 SO THIS IS WHERE WE BEGIN TO SEPARATE 599 00:32:04,991 --> 00:32:07,093 OUR FUTURE PHYSICIANS 600 00:32:07,126 --> 00:32:11,230 FROM THOSE WHO JUST WANT TO PLAY DOCTOR. 601 00:32:11,263 --> 00:32:14,033 NOW, FIRST THINGS FIRST. 602 00:32:14,066 --> 00:32:17,036 WE UNCOVER THE CORPSE. 603 00:32:17,069 --> 00:32:18,337 OHH! 604 00:32:18,370 --> 00:32:19,972 [THUD] 605 00:32:20,006 --> 00:32:24,210 WE MAKE AN INCISION FROM THE GROIN... 606 00:32:24,243 --> 00:32:26,245 TO THE UPPER CHEST CAVITY. 607 00:32:26,278 --> 00:32:28,347 OHH! THERE. 608 00:32:28,380 --> 00:32:29,548 OHH! 609 00:32:31,217 --> 00:32:35,621 NOW, AS I OPEN THE ABDOMINAL WALL, 610 00:32:35,654 --> 00:32:39,225 YOU WILL OBSERVE THAT THE ORGANS HAVE GONE 611 00:32:39,258 --> 00:32:41,027 FROM A NICE, HEALTHY PINK 612 00:32:41,060 --> 00:32:43,662 TO A DISGUSTING GREEN. 613 00:32:43,695 --> 00:32:45,597 OHH! OHH! 614 00:32:45,631 --> 00:32:50,769 WE MUST CHECK THE INTESTINES FOR PATHOLOGICAL CLUES. 615 00:32:50,802 --> 00:32:52,238 SO... 616 00:32:52,271 --> 00:32:54,640 [SQUISHING] 617 00:32:54,673 --> 00:32:56,775 AH! HERE! 618 00:32:56,808 --> 00:32:58,244 PASS IT ALONG. 619 00:32:58,277 --> 00:33:01,547 DON'T WORRY. THERE'S PLENTY TO GO AROUND. 620 00:33:01,580 --> 00:33:02,548 OHH! 621 00:33:02,581 --> 00:33:04,516 OHH! 622 00:33:04,550 --> 00:33:06,685 [GAGS] 623 00:33:08,287 --> 00:33:09,688 WELL... 624 00:33:09,721 --> 00:33:13,092 NO ONE SEEMS TO BE STANDING. 625 00:33:13,125 --> 00:33:14,326 HELLO! 626 00:33:14,360 --> 00:33:17,429 I'M STILL STANDING, PROFESSOR VAN HELSING. 627 00:33:17,463 --> 00:33:18,764 HM! 628 00:33:18,797 --> 00:33:21,500 AH, WOODBRIDGE, RIGHT? 629 00:33:21,533 --> 00:33:22,568 MM-HMM. 630 00:33:22,601 --> 00:33:24,603 COME CLOSER, WOODBRIDGE. 631 00:33:24,636 --> 00:33:27,473 GOOD FOR YOU. STOUT FELLOW. 632 00:33:27,506 --> 00:33:32,111 WHY DON'T WE HAVE A LOOK AT THE BRAIN? 633 00:33:32,144 --> 00:33:33,112 HUH? 634 00:33:33,145 --> 00:33:34,313 MM-HMM. 635 00:33:34,346 --> 00:33:39,351 FIRST, WE CRACK OPEN THE SKULL. 636 00:33:39,385 --> 00:33:40,419 SO... 637 00:33:40,452 --> 00:33:42,588 [SQUASHES] 638 00:33:42,621 --> 00:33:46,792 BEHOLD THE NAKED HUMAN BRAIN. 639 00:33:46,825 --> 00:33:48,727 EXAMINE IT. 640 00:33:48,760 --> 00:33:50,662 AAH! AAH! AAH! AAH! AAH! AAH! 641 00:33:50,696 --> 00:33:52,398 OHH! 642 00:33:53,799 --> 00:33:57,503 SO, A GOOD MORNING'S WORK. 643 00:33:58,437 --> 00:34:00,072 [KNOCK ON DOOR] 644 00:34:00,106 --> 00:34:02,341 COME! 645 00:34:05,244 --> 00:34:07,579 OH, PROFESSOR. 646 00:34:07,613 --> 00:34:09,181 10 OUT OF 10. 647 00:34:09,215 --> 00:34:10,249 JA. 648 00:34:10,282 --> 00:34:12,184 I STILL GOT IT! 649 00:34:12,218 --> 00:34:15,421 WELL, I HAVE A MESSAGE FOR YOU FROM DR. SEWARD. 650 00:34:15,454 --> 00:34:18,590 A MESSAGE FROM DR. SEWARD? WHAT DOES HE SAY? 651 00:34:18,624 --> 00:34:21,260 HE WANTS YOU TO COME TO WHITBY IMMEDIATELY. 652 00:34:21,293 --> 00:34:23,162 IT'S AN EMERGENCY. 653 00:34:23,195 --> 00:34:25,764 AN EMERRRRRGENCY? 654 00:34:25,797 --> 00:34:26,832 MM-HMM. 655 00:34:26,865 --> 00:34:28,434 YES, SIR. 656 00:34:28,467 --> 00:34:31,437 [IMITATING ACCENT] AN EMERRRRRGENCY. 657 00:34:33,272 --> 00:34:35,441 HMM. 658 00:34:37,276 --> 00:34:39,411 [CREAKING] 659 00:34:42,881 --> 00:34:44,583 [SIGHS] 660 00:34:44,616 --> 00:34:47,253 I AM AWAKE. 661 00:34:48,887 --> 00:34:50,522 I AM AWAKE DURING THE DAYTIME? 662 00:34:50,556 --> 00:34:52,758 WHAT IS HAPPENING? I CANNOT BE UP DURING THE DAYLIGHT. 663 00:34:52,791 --> 00:34:54,593 AH. 664 00:34:54,626 --> 00:34:56,762 IT MUST BE THE YOUNG BLOOD FROM MISS LUCY. 665 00:34:56,795 --> 00:34:59,731 HER BLOOD IS STILL IN MY SYSTEM. 666 00:34:59,765 --> 00:35:03,769 IS IT POSSIBLE SHE HAS CURED ME? 667 00:35:03,802 --> 00:35:06,138 [LAUGHING] 668 00:35:07,606 --> 00:35:09,208 YES! 669 00:35:09,241 --> 00:35:10,709 I AM CURED. 670 00:35:10,742 --> 00:35:14,580 NOW I CAN BE UP NIGHT AND DAY! 671 00:35:17,349 --> 00:35:20,752 IT IS SO BRIGHT. 672 00:35:20,786 --> 00:35:23,522 SO MANY COLORS. 673 00:35:23,555 --> 00:35:27,226 AND THE SUN IS SO WARM! 674 00:35:27,259 --> 00:35:28,294 [LAUGHS] 675 00:35:28,327 --> 00:35:30,562 HELLO, YOUNG LOVERS. 676 00:35:30,596 --> 00:35:33,365 I COULD NOT HELP BUT SMELL YOUR LOVELY PICNIC. 677 00:35:33,399 --> 00:35:36,868 COULD I PRESUME TO ASK YOU FOR A PIECE OF YOUR CHICKEN? 678 00:35:36,902 --> 00:35:38,770 SURELY, SIR. 679 00:35:38,804 --> 00:35:40,639 SOME WINE, SIR? 680 00:35:40,672 --> 00:35:43,575 I NEVER DRINK...WINE. 681 00:35:44,643 --> 00:35:48,414 OH, WHAT THE HELL. LET ME TRY IT. 682 00:35:51,450 --> 00:35:52,651 AHH. 683 00:35:52,684 --> 00:35:54,753 IT'S GOOD! 684 00:35:54,786 --> 00:35:56,655 MASTER! MASTER! 685 00:35:56,688 --> 00:35:58,490 RENFIELD, LOOK AT ME. 686 00:35:58,524 --> 00:36:01,393 I'M DRINKING WINE AND EATING CHICKEN. 687 00:36:01,427 --> 00:36:03,395 MASTER, WHAT ARE YOU DOING OUT IN THE DAYTIME? 688 00:36:03,429 --> 00:36:04,796 RELAX, RENFIELD. 689 00:36:04,830 --> 00:36:07,266 I AM CURED! NO. 690 00:36:07,299 --> 00:36:09,401 NO, YOU'RE NOT. LOOK. 691 00:36:09,435 --> 00:36:10,736 OHH! 692 00:36:10,769 --> 00:36:13,639 I...MADE...A MISTAKE. 693 00:36:13,672 --> 00:36:15,341 I'VE GOT TO GET BACK TO MY COFFIN. 694 00:36:15,374 --> 00:36:17,676 [BREATHING HARD] 695 00:36:17,709 --> 00:36:19,845 [SCREAMING] 696 00:36:26,618 --> 00:36:29,555 IT'S NIGHTTIME. 697 00:36:29,588 --> 00:36:32,324 IT WASN'T REAL. 698 00:36:33,659 --> 00:36:37,729 I WAS HAVING A DAYMARE. 699 00:36:41,032 --> 00:36:42,501 HMM. 700 00:36:42,534 --> 00:36:47,873 3 TINY PUNCTURE MARKS ON HER THROAT. 701 00:36:47,906 --> 00:36:49,441 3? 702 00:36:49,475 --> 00:36:51,610 [SPITS] 703 00:36:53,044 --> 00:36:54,446 2. 704 00:36:54,480 --> 00:36:59,451 2 TINY PUNCTURE MARKS ON HER THROAT. 705 00:36:59,485 --> 00:37:01,687 WHAT DOES IT MEAN, PROFESSOR? 706 00:37:01,720 --> 00:37:03,822 GENTLEMEN... 707 00:37:03,855 --> 00:37:06,258 WHAT I AM ABOUT TO SAY 708 00:37:06,292 --> 00:37:08,694 WILL SHAKE THE VERY FOUNDATION 709 00:37:08,727 --> 00:37:12,531 OF EVERY MEDICAL PRECEPT YOU HOLD DEAR. 710 00:37:12,564 --> 00:37:15,401 WE HAVE ENTERED THE REALM 711 00:37:15,434 --> 00:37:18,236 OF THE SUPERNATURAL. 712 00:37:20,606 --> 00:37:21,973 THE SUPERNATURAL? 713 00:37:22,007 --> 00:37:23,875 REALM OF THE SUPERNATURAL? 714 00:37:23,909 --> 00:37:25,043 JA! 715 00:37:25,076 --> 00:37:26,778 LUCY HAS BEEN ATTACKED 716 00:37:26,812 --> 00:37:30,516 BY A CREATURE THAT RISES FROM ITS GRAVE 717 00:37:30,549 --> 00:37:32,518 AND SUCKS THE BLOOD OF THE LIVING 718 00:37:32,551 --> 00:37:37,055 IN ORDER TO PROLONG ITS OWN UNHOLY EXISTENCE. 719 00:37:37,088 --> 00:37:43,395 WHAT WE ARE DEALING WITH HERE IS... 720 00:37:43,429 --> 00:37:45,364 A VAMPIRE! 721 00:37:45,397 --> 00:37:46,498 VAMPIRE? 722 00:37:46,532 --> 00:37:48,734 VAMPIRE? WHAT ARE YOU SAYING? 723 00:37:48,767 --> 00:37:51,370 I'M SAYING, "VAMPIRE." 724 00:37:51,403 --> 00:37:53,739 BUT, PROFESSOR,MODERN SCIENCEDOES NOT ADMIT 725 00:37:53,772 --> 00:37:55,674 TO SUCH A FANCIFUL CREATURE. 726 00:37:55,707 --> 00:37:58,076 MODERN SCIENCE, PISH POSH. 727 00:37:58,109 --> 00:38:00,879 SHE HAS LOST A GREAT DEAL OF BLOOD, JA? 728 00:38:00,912 --> 00:38:02,881 JA. WELL, LOOK. 729 00:38:02,914 --> 00:38:04,383 LOOK. 730 00:38:05,484 --> 00:38:07,353 WHERE DID ALL THE BLOOD GO? 731 00:38:07,386 --> 00:38:09,488 LOOK AT THE SHEET, THE PILLOWCASE, 732 00:38:09,521 --> 00:38:10,656 HER NIGHTGOWN. 733 00:38:10,689 --> 00:38:12,358 DO YOU SEE ANYTHING? 734 00:38:12,391 --> 00:38:15,461 HOW DOES YOUR MODERN SCIENCE EXPLAIN ZHAT? 735 00:38:15,494 --> 00:38:17,095 CAN YOU EXPLAIN ZHAT? 736 00:38:17,128 --> 00:38:18,564 CAN YOU EXPLAIN ZHAT? 737 00:38:18,597 --> 00:38:20,499 I CAN'T EXPLAIN ZHAT. 738 00:38:20,532 --> 00:38:21,633 I CAN'T EXPLAIN ZHAT. 739 00:38:21,667 --> 00:38:24,370 NO ONE CAN EXPLAIN ZHAT! 740 00:38:24,403 --> 00:38:26,104 ARE YOU ASKING US TO BELIEVE 741 00:38:26,137 --> 00:38:28,507 THAT SOME CREATURE JUST FLEW IN 742 00:38:28,540 --> 00:38:30,342 THROUGH THAT WINDOW, BIT LUCY ON THE NECK, 743 00:38:30,376 --> 00:38:32,644 AND DRANK OF HER BLOOD? 744 00:38:32,678 --> 00:38:34,980 EXACTLY. 745 00:38:35,013 --> 00:38:36,948 AND TONIGHT, 746 00:38:36,982 --> 00:38:41,787 THE FOUL THING WILL RETURN. 747 00:38:41,820 --> 00:38:45,524 IT WILL SUP ON HER LIFE'S FLUID 748 00:38:45,557 --> 00:38:47,593 UNTIL IT HAS DRAINED HER 749 00:38:47,626 --> 00:38:50,829 OF EVERY LAST DROP. 750 00:38:52,531 --> 00:38:54,400 Van Helsing: AND IF SHE DIES 751 00:38:54,433 --> 00:38:58,604 A VICTIM OF THIS UNSPEAKABLE CREATURE, 752 00:38:58,637 --> 00:39:03,041 SHE WILL BECOME ONE HERSELF. 753 00:39:03,074 --> 00:39:04,610 WHAT? WHAT? 754 00:39:04,643 --> 00:39:10,115 SHE WILL BECOME ONE HERSELF. 755 00:39:10,148 --> 00:39:14,119 WHAT CAN WE DO TO PROTECT HER FROM THIS FIEND? 756 00:39:15,120 --> 00:39:16,154 SEWARD! 757 00:39:16,187 --> 00:39:17,623 [SCARED] YES? 758 00:39:17,656 --> 00:39:20,592 DO YOU HAVE ANY BOOKS ON THE OCCULT? 759 00:39:22,060 --> 00:39:23,562 THEY'RE RIGHT HERE. 760 00:39:23,595 --> 00:39:25,797 DO YOU HAVE TRANSYLVANIAN FOLKLORE? 761 00:39:25,831 --> 00:39:27,566 NO. 762 00:39:27,599 --> 00:39:29,100 DO YOU HAVE THE THEORY AND THE THEOLOGY 763 00:39:29,134 --> 00:39:30,135 OF THE EVIL UNDEAD? 764 00:39:30,168 --> 00:39:31,670 NO. 765 00:39:31,703 --> 00:39:33,939 DO YOU HAVE THE VAMPIRES OF PRAGUE? 766 00:39:33,972 --> 00:39:35,907 NO! 767 00:39:35,941 --> 00:39:37,809 DO YOU HAVE NOSFERATU? 768 00:39:37,843 --> 00:39:40,612 YES, WE HAVE NOSFERATU. 769 00:39:40,646 --> 00:39:42,748 WE HAVE NOSFERATU TODAY. 770 00:39:42,781 --> 00:39:44,115 IT JUST CAME IN THE POST. 771 00:39:44,149 --> 00:39:46,151 AH. HERE, GIVE IT. HERE. 772 00:39:47,819 --> 00:39:49,988 JA. JA. JA. 773 00:39:50,021 --> 00:39:51,523 HERE! 774 00:39:51,557 --> 00:39:53,625 THERE IS A WAY TO PROTECT HER. 775 00:39:53,659 --> 00:39:54,893 HOW? 776 00:39:54,926 --> 00:39:58,597 "THE CREATURE IS REPELLED BY GARLIC. 777 00:39:58,630 --> 00:40:01,900 "ITS PURIFYING EFFECT IS ANATHEMA 778 00:40:01,933 --> 00:40:05,904 TO THE TAINTED SOUL OF THE VAMPIRE." 779 00:40:16,615 --> 00:40:18,984 [METAL CLANGS] OH! 780 00:40:19,017 --> 00:40:20,185 OHH. 781 00:40:21,252 --> 00:40:23,722 I MUST MOVE THE COFFIN 782 00:40:23,755 --> 00:40:26,191 OR THE CHANDELIER. 783 00:40:26,224 --> 00:40:28,193 [CRICKETS CHIRPING] 784 00:40:29,194 --> 00:40:30,562 WE'VE BROUGHT YOU DOWN HERE 785 00:40:30,596 --> 00:40:32,163 SO YOU'LL BE CLOSER TO US, MY DEAR. 786 00:40:32,197 --> 00:40:34,032 Seward: WE'LL BE JUST DOWN THE HALL IN THE STUDY. 787 00:40:34,065 --> 00:40:36,201 YOU MUST GET A GOOD NIGHT'S REST 788 00:40:36,234 --> 00:40:38,504 TO REGAIN YOUR STRENGTH, MY DEAR. 789 00:40:38,537 --> 00:40:41,540 IT'S THE ONLY WAY TO IMPROVE YOUR HEALTH. 790 00:40:41,573 --> 00:40:43,108 WOULD AN ENEMA HELP? 791 00:40:47,045 --> 00:40:48,747 COME, COME. WE MUST GO. 792 00:40:54,753 --> 00:40:56,722 SLEEP WELL, MISS LUCY. 793 00:40:56,755 --> 00:40:59,958 THE GARLIC WILL PROTECT YOU. 794 00:41:01,527 --> 00:41:02,694 OHH. 795 00:41:31,022 --> 00:41:33,759 [HISSES] 796 00:41:33,792 --> 00:41:36,928 WHOOOO! 797 00:41:36,962 --> 00:41:39,665 GARLIC! 798 00:41:39,698 --> 00:41:41,032 BLAH! 799 00:41:57,716 --> 00:41:59,217 RENFIELD. 800 00:42:00,852 --> 00:42:01,887 RENFIELD. 801 00:42:01,920 --> 00:42:03,755 MASTER? 802 00:42:04,890 --> 00:42:08,827 IT IS TIME FOR YOU TO SERVE YOUR MASTER. 803 00:42:08,860 --> 00:42:10,161 COME. 804 00:42:10,195 --> 00:42:11,663 YES, MASTER. 805 00:42:11,697 --> 00:42:14,766 THOSE MEDDLING IDIOTS. 806 00:42:14,800 --> 00:42:16,968 THEY WANT TO PREVENT ME 807 00:42:17,002 --> 00:42:19,070 FROM ENTERING MISS LUCY'S BEDROOM. 808 00:42:19,104 --> 00:42:20,906 I WANT TO TAKE-- 809 00:42:20,939 --> 00:42:23,141 W-WAI--UH, WAIT, MASTER. 810 00:42:33,719 --> 00:42:35,286 ALL RIGHT. I'M LISTENING. 811 00:42:35,320 --> 00:42:37,889 THEY HAVE PLACED GARLANDS OF GARLIC 812 00:42:37,923 --> 00:42:39,024 AROUND HER ROOM. 813 00:42:39,057 --> 00:42:41,059 WHAT CAN I DO, MASTER? 814 00:42:41,092 --> 00:42:43,061 I CAN'T LEAVE THIS CELL. 815 00:42:43,094 --> 00:42:45,931 DO YOU IMAGINE I COULD NOT TAKE YOU OUT OF HERE IF I WISH... 816 00:42:45,964 --> 00:42:49,968 THAT THESE PATHETIC BARS COULD STOP ME? 817 00:42:50,001 --> 00:42:53,104 WAIT, MASTER. I'M GETTING SUCH A HEADACHE. 818 00:42:53,138 --> 00:42:57,075 HOW DARE THEY TRY TO MATCH WITS WITH ME? 819 00:42:57,108 --> 00:43:00,211 ME, WHO HAS COMMANDED THE FORCES OF DARKNESS. 820 00:43:00,245 --> 00:43:02,914 ME, WHO HAS CALLED FORTH THE DEMONS OF THE NIGHT 821 00:43:02,948 --> 00:43:04,082 TO DO MY BIDDING. 822 00:43:04,115 --> 00:43:07,085 ME, WHO HAS DESTROYED EVERY ENEMY 823 00:43:07,118 --> 00:43:09,054 DOWN THROUGH THE CENTURIES. 824 00:43:09,087 --> 00:43:10,321 WAAAH! 825 00:43:10,355 --> 00:43:11,657 [THUD] 826 00:43:12,691 --> 00:43:15,894 RENFIELD, I'M TALKING TO YOU. 827 00:43:15,927 --> 00:43:17,729 SORRY, MASTER. 828 00:43:17,763 --> 00:43:19,030 COME. 829 00:43:20,231 --> 00:43:25,270 WE HAVE MUCH TO DO AND LESS TIME TO DO IT IN. 830 00:43:33,979 --> 00:43:35,947 RENFIELD, HURRY. 831 00:43:37,448 --> 00:43:39,017 [THUD] 832 00:43:39,050 --> 00:43:41,386 UHH...UNH! 833 00:43:41,419 --> 00:43:43,755 [GRUNTING] 834 00:43:44,790 --> 00:43:46,858 [GROANS] 835 00:43:46,892 --> 00:43:50,028 RENFIELD, I MEANT FOR YOU 836 00:43:50,061 --> 00:43:51,963 TO USE THE DRAINPIPE. 837 00:43:51,997 --> 00:43:54,733 I FLY. YOU DON'T. 838 00:43:54,766 --> 00:43:56,134 OH, YES, OF COURSE. 839 00:43:56,167 --> 00:43:57,135 COME. 840 00:43:57,168 --> 00:43:59,004 HE FLIES. I DON'T. 841 00:43:59,037 --> 00:44:00,405 HE FLIES. I DON'T. 842 00:44:00,438 --> 00:44:02,941 HE FLIES. I DON'T. 843 00:44:12,784 --> 00:44:14,920 [WHIMPERS] 844 00:44:31,937 --> 00:44:34,039 [WHIMPERS] 845 00:44:34,072 --> 00:44:36,207 [SIGHS] 846 00:44:37,943 --> 00:44:39,177 [BREATHING DEEPLY] 847 00:44:39,210 --> 00:44:41,146 OHH... 848 00:44:49,287 --> 00:44:52,223 HEH...HEH...HEH...HEH. 849 00:44:52,257 --> 00:44:56,461 HEH...HEH...HEH...HEH. 850 00:44:56,494 --> 00:44:58,229 [GASPS] 851 00:44:58,263 --> 00:44:59,798 AAH! 852 00:44:59,831 --> 00:45:03,869 AAH! AAH! 853 00:45:03,902 --> 00:45:07,873 RENFIELD, YOU IDIOT. 854 00:45:09,374 --> 00:45:11,242 GRAB HIM, HARKER! 855 00:45:11,276 --> 00:45:13,779 AAH! I AM WEAK! I AM WEAK! 856 00:45:13,812 --> 00:45:15,113 I STRAYED! 857 00:45:15,146 --> 00:45:16,347 WHAT DID HE DO? 858 00:45:16,381 --> 00:45:18,083 I CAUGHT HIM LIFTING UP THE SHEETS 859 00:45:18,116 --> 00:45:19,951 AND LOOKING AT ME! 860 00:45:19,985 --> 00:45:22,520 UGH! NOTHING BUT A FILTHY PERVERT, EH? 861 00:45:22,553 --> 00:45:23,521 MARTIN! 862 00:45:23,554 --> 00:45:25,390 THERE YOU ARE! 863 00:45:25,423 --> 00:45:26,524 TAKE HIM BACK TO HIS CELL 864 00:45:26,557 --> 00:45:28,326 AND GIVE HIM A YOU-KNOW-WHAT. 865 00:45:28,359 --> 00:45:33,131 NO! NO! NOT ANOTHER ENEMA! 866 00:45:33,164 --> 00:45:35,000 YES, ANOTHER AND ANOTHER! 867 00:45:35,033 --> 00:45:37,168 UNTIL YOU COME TO YOUR SENSES! 868 00:45:37,202 --> 00:45:38,536 I'LL CLOSE THE WINDOW. 869 00:45:38,569 --> 00:45:39,805 YES, YES. 870 00:45:47,979 --> 00:45:49,014 GOOD LAD. 871 00:45:49,047 --> 00:45:50,048 ARE YOU ALL RIGHT, DEAR? 872 00:45:50,081 --> 00:45:51,382 OH, YES, I'M FINE, DR. SEWARD, 873 00:45:51,416 --> 00:45:54,319 APART FROM THIS GHASTLY GARLIC. 874 00:45:54,352 --> 00:45:56,955 I'M SORRY, DEAR, BUT VAN HELSING INSISTS. 875 00:45:56,988 --> 00:45:59,925 OHH, LORD! 876 00:46:03,428 --> 00:46:06,064 LUCY... 877 00:46:06,097 --> 00:46:09,000 I COMMAND YOU-- 878 00:46:09,034 --> 00:46:12,103 OPEN THE WINDOW. 879 00:46:12,137 --> 00:46:14,072 COME! 880 00:46:14,873 --> 00:46:17,508 GET IN THERE, YOU STUPID DEGENERATE! 881 00:46:17,542 --> 00:46:20,211 I DIDN'T SEE ANYTHING! I DIDN'T SEE ANYTHING! 882 00:46:20,245 --> 00:46:22,047 [DOOR SLAMS] 883 00:46:22,080 --> 00:46:24,950 I SAW EVERYTHING. 884 00:46:24,983 --> 00:46:27,118 [RASPY LAUGH] 885 00:46:35,260 --> 00:46:37,462 [SIGHS] 886 00:46:42,500 --> 00:46:46,537 AAH! 887 00:46:47,906 --> 00:46:51,042 IT'S LUCY. SOMEONE WAS ATTACKING HER! 888 00:46:51,076 --> 00:46:52,944 WAIT HERE. 889 00:46:52,978 --> 00:46:55,113 [WOLF HOWLS] 890 00:46:59,117 --> 00:47:01,419 HOW IS SHE? 891 00:47:01,452 --> 00:47:02,988 SHE'S DEAD. 892 00:47:03,021 --> 00:47:04,189 DEAD? 893 00:47:04,222 --> 00:47:07,092 THE VAMPIRE HAS TAKEN ALL OF HER BLOOD. 894 00:47:07,125 --> 00:47:11,129 I TOLD HER NOT TO LEAVE THE SAFETY OF THE GARLIC. 895 00:47:13,398 --> 00:47:15,533 [PRIEST CHANTING IN LATIN] 896 00:47:21,272 --> 00:47:23,541 NO! NO, NO, NO! 897 00:47:23,574 --> 00:47:25,310 IT'S ABSOLUTELY ABSURD. 898 00:47:25,343 --> 00:47:28,914 I TELL YOU, WE MUST DRIVE A WOODEN STAKE THROUGH HER HEART, 899 00:47:28,947 --> 00:47:31,116 OR ELSE SHE WILL RISE FROM HER GRAVE 900 00:47:31,149 --> 00:47:32,951 TO SEEK THE BLOOD OF THE LIVING! 901 00:47:32,984 --> 00:47:34,585 LUCY WAS MY WARD. 902 00:47:34,619 --> 00:47:36,988 I WON'T PERMIT YOU TO DESECRATE HER BODY 903 00:47:37,022 --> 00:47:38,256 IN SUCH A VILE MANNER. 904 00:47:38,289 --> 00:47:39,590 IT'S-- IT'S SACRILEGIOUS. 905 00:47:39,624 --> 00:47:42,127 BUT DR. SEWARD, SHOULDN'T WE AT LEAST 906 00:47:42,160 --> 00:47:45,096 STAND GUARD OVER LUCY'S GRAVE, JUST TO MAKE SURE? 907 00:47:45,130 --> 00:47:49,167 NO. I'M HAVING SERIOUS DOUBTS ABOUT THIS WHOLE VAMPIRE THEORY. 908 00:47:49,200 --> 00:47:52,037 FOR HEAVEN'S SAKE, WHO IN ALL OF ENGLAND, 909 00:47:52,070 --> 00:47:54,172 BY THE VERY FURTHEST STRETCH OF THE IMAGINATION, 910 00:47:54,205 --> 00:47:56,141 COULD POSSIBLY BE A VAMPIRE? 911 00:47:56,174 --> 00:47:58,076 COUNT DRACULA. 912 00:47:58,109 --> 00:47:59,244 WELL, MAYBE HIM. 913 00:48:00,711 --> 00:48:02,447 AHEM. WHAT? 914 00:48:02,480 --> 00:48:04,482 HOO HOO. WHAT ARE YOU HOO-HOOING ABOUT? 915 00:48:04,515 --> 00:48:06,651 OH! OH, COUNT DRACULA. 916 00:48:06,684 --> 00:48:08,186 WE WERE JUST TALKING ABOUT YOU. 917 00:48:08,219 --> 00:48:09,554 FAVORABLY, OF COURSE. 918 00:48:09,587 --> 00:48:12,323 FORGIVE MY INTERRUPTION, BUT I WAS JUST MADE AWARE 919 00:48:12,357 --> 00:48:14,993 OF THE UNFORTUNATE PASSING OF MISS LUCY. 920 00:48:15,026 --> 00:48:18,029 I WISH TO OFFER MY CONDOLENCES. 921 00:48:18,063 --> 00:48:20,932 THANK YOU. WE'RE ALL VERY DISTRAUGHT. 922 00:48:20,966 --> 00:48:22,934 YES. OH, COUNT DRACULA, 923 00:48:22,968 --> 00:48:25,336 ALLOW ME TO INTRODUCE PROFESSOR ABRAHAM VAN HELSING 924 00:48:25,370 --> 00:48:26,537 OF LONDON UNIVERSITY. 925 00:48:26,571 --> 00:48:28,273 HE'S A DOCTOR OF RARE DISEASES, 926 00:48:28,306 --> 00:48:30,208 AS WELL AS THEOLOGY AND PHILOSOPHY. 927 00:48:30,241 --> 00:48:32,043 AND GYNECOLOGY. 928 00:48:32,077 --> 00:48:35,113 OH, I DIDN'T KNOW YOU HAD YOUR HAND IN THAT, TOO. 929 00:48:36,181 --> 00:48:39,184 VAN HELSING-- A NAME WE KNOW 930 00:48:39,217 --> 00:48:41,953 EVEN IN THE WILDS OF TRANSYLVANIA. 931 00:48:41,987 --> 00:48:43,621 COUNT DRACULA. 932 00:48:43,654 --> 00:48:45,190 HMM, CURIOUS. 933 00:48:45,223 --> 00:48:48,126 ARE YOU DESCENDED FROM VLAD TEPES, 934 00:48:48,159 --> 00:48:50,161 THE FIRST DRACULA? 935 00:48:50,195 --> 00:48:51,396 TEPES? 936 00:48:51,429 --> 00:48:54,132 JA. IT MEANS "THE IMPALER." 937 00:48:54,165 --> 00:48:56,134 HE WAS A BLOODTHIRSTY BUTCHER 938 00:48:56,167 --> 00:48:59,704 WHO INFLICTED UNSPEAKABLE TORTURES ON THE PEASANTS, 939 00:48:59,737 --> 00:49:01,572 CUTTING OFF THEIR HANDS AND FEET, 940 00:49:01,606 --> 00:49:03,241 GOUGING OUT THEIR EYES, 941 00:49:03,274 --> 00:49:08,146 AND THEN IMPALING THEM ON IRON SPIKES. 942 00:49:09,214 --> 00:49:11,416 THEY HAD IT COMING. 943 00:49:11,449 --> 00:49:14,986 UHH! WHAT COULD THEY POSSIBLY HAVE DONE 944 00:49:15,020 --> 00:49:17,322 TO DESERVE SUCH BARBARIC AND INHUMAN TREATMENT? 945 00:49:17,355 --> 00:49:18,456 YES. 946 00:49:18,489 --> 00:49:20,558 WE HAVE A SAYING IN THE OLD COUNTRY. 947 00:49:20,591 --> 00:49:22,727 [SPEAKING MOLDAVIAN] 948 00:49:24,595 --> 00:49:26,064 THEY ALSO SAID... 949 00:49:26,097 --> 00:49:28,233 [SPEAKING MOLDAVIAN] 950 00:49:31,069 --> 00:49:33,404 I'M VERY IMPRESSED, VAN HELSING. 951 00:49:33,438 --> 00:49:36,141 YOU SPEAK THE ANCIENT MOLDAVIAN. 952 00:49:36,174 --> 00:49:38,543 [SPEAKING MOLDAVIAN] 953 00:49:38,576 --> 00:49:40,478 [SPEAKING MOLDAVIAN] 954 00:49:40,511 --> 00:49:43,314 WELL, GENTLEMEN, I WILL TAKE MY-- 955 00:49:43,348 --> 00:49:45,050 [SPEAKING MOLDAVIAN] 956 00:49:45,083 --> 00:49:47,752 ...LEAVE. 957 00:49:47,785 --> 00:49:50,555 I SEE, VAN HELSING, YOU ARE A MAN 958 00:49:50,588 --> 00:49:52,623 WHO LIKES TO HAVE THE LAST WORD. 959 00:49:52,657 --> 00:49:57,362 I WILL NOT BE DRAWN INTO SUCH A CHILDISH EXERCISE. 960 00:49:57,395 --> 00:49:58,363 [SPEAKING MOLDAVIAN] 961 00:49:58,396 --> 00:50:02,233 HA HA! IT IS IMMATERIAL TO ME 962 00:50:02,267 --> 00:50:05,236 WHO HAS THE LAST WORD. [SPEAKING MOLDAVIAN] 963 00:50:07,072 --> 00:50:09,140 IT IS GETTING LATE. 964 00:50:09,174 --> 00:50:12,377 WE'LL CARRY ON THIS CONVERSATION AT ANOTHER TIME. 965 00:50:12,410 --> 00:50:13,644 GOOD NIGHT. 966 00:50:13,678 --> 00:50:15,580 GOOD NIGHT. 967 00:50:17,648 --> 00:50:19,684 [SPEAKING MOLDAVIAN] 968 00:50:20,685 --> 00:50:23,088 SUCH ARROGANCE. HEH. 969 00:50:23,121 --> 00:50:27,658 IT IS EASY TO SEE WHY THE DECADENT ARISTOCRACY 970 00:50:27,692 --> 00:50:31,196 IS DYING OUT IN THAT PART OF THE WORLD. 971 00:50:31,229 --> 00:50:33,331 [SPEAKING MOLDAVIAN] 972 00:50:33,364 --> 00:50:37,135 GENTLEMEN, OUR WORK IS NOT DONE. 973 00:50:37,168 --> 00:50:39,404 THE VAMPIRE IS STILL AMONG US. 974 00:50:39,437 --> 00:50:41,372 YOU MUST REMEMBER, HE IS CUNNING. 975 00:50:41,406 --> 00:50:43,608 HE HAS THE WISDOM OF CENTURIES. 976 00:50:43,641 --> 00:50:47,178 AND ABOVE ALL, HE WILL NEVER GIVE UP. 977 00:50:47,212 --> 00:50:48,679 [SPEAKING MOLDAVIAN] 978 00:50:48,713 --> 00:50:52,183 UGH! THAT MAN! 979 00:50:52,217 --> 00:50:54,752 HE NEVER GIVES UP! 980 00:50:56,454 --> 00:50:59,257 NEVER GIVES UP. 981 00:50:59,290 --> 00:51:01,326 Harker: WHAT ARE YOU THINKING, PROFESSOR? 982 00:51:01,359 --> 00:51:04,295 WHEN DID COUNT DRACULA MOVE IN? 983 00:51:04,329 --> 00:51:05,863 ABOUT A MONTH AGO. 984 00:51:05,896 --> 00:51:08,466 AND WHEN DID MISS LUCY'S SYMPTOMS FIRST APPEAR? 985 00:51:08,499 --> 00:51:10,268 ABOUT THE SAME TIME. 986 00:51:10,301 --> 00:51:13,171 ARE YOU SAYING THAT COUNT DRACULA IS OUR VAMPIRE? 987 00:51:13,204 --> 00:51:14,239 YES! 988 00:51:14,272 --> 00:51:15,606 AND NO. 989 00:51:15,640 --> 00:51:16,707 THEN WHAT ARE YOU SAYING? 990 00:51:16,741 --> 00:51:17,842 I'M SAYING NO... 991 00:51:17,875 --> 00:51:19,844 BUT I'M LEANING TOWARDS YES. 992 00:51:19,877 --> 00:51:21,146 THEN YOU'RE SAYING YES. 993 00:51:21,179 --> 00:51:22,313 NO. THEN IT'S NO. 994 00:51:22,347 --> 00:51:23,514 NOT NECESSARILY. 995 00:51:23,548 --> 00:51:24,582 YOU SOUND DUBIOUS. 996 00:51:24,615 --> 00:51:25,650 NO, I'M POSITIVE. 997 00:51:25,683 --> 00:51:26,784 OF WHAT? MY THEORY! 998 00:51:26,817 --> 00:51:27,785 AND THAT WOULD BE? 999 00:51:27,818 --> 00:51:29,754 THE THEORY OF YES... 1000 00:51:29,787 --> 00:51:31,822 OR NO. 1001 00:51:42,167 --> 00:51:43,768 GOOD NIGHT, SWEET LADY. 1002 00:51:43,801 --> 00:51:48,573 MAY ANGELS' VOICES SING THEE TO THY REST. 1003 00:51:49,440 --> 00:51:51,142 Lucy: HELP ME. 1004 00:51:52,243 --> 00:51:53,478 WHAT'S THAT? 1005 00:51:55,646 --> 00:51:58,683 Lucy: HELP ME. IT'S SO DARK IN HERE. 1006 00:52:00,418 --> 00:52:02,153 WHO'S IN THERE? 1007 00:52:02,187 --> 00:52:03,921 I'M ALIVE. 1008 00:52:03,954 --> 00:52:08,359 THEY'VE BURIED ME ALIVE. 1009 00:52:08,393 --> 00:52:10,761 SAINTS PRESERVE US. 1010 00:52:10,795 --> 00:52:12,263 DON'T WORRY, MISS. 1011 00:52:12,297 --> 00:52:13,764 I'M COMIN'. 1012 00:52:13,798 --> 00:52:16,267 [GRUNTING] 1013 00:52:17,402 --> 00:52:18,769 OH, MY GOD. 1014 00:52:18,803 --> 00:52:20,705 THEY MADE A MISTAKE, 1015 00:52:20,738 --> 00:52:22,607 A--A TERRIBLE MISTAKE. 1016 00:52:22,640 --> 00:52:24,442 OH, PLEASE HELP ME. 1017 00:52:24,475 --> 00:52:27,412 I'M SO VERY COLD. 1018 00:52:29,214 --> 00:52:31,282 YOU'LL BE ALL RIGHT. YOU'RE ALIVE. 1019 00:52:31,316 --> 00:52:34,485 AAH! 1020 00:52:36,421 --> 00:52:38,623 [HISSES] 1021 00:52:48,399 --> 00:52:49,600 I SAY, JONATHAN, 1022 00:52:49,634 --> 00:52:51,436 WHAT ARE YOU DOING? 1023 00:52:52,303 --> 00:52:53,604 JUST FOR TONIGHT, 1024 00:52:53,638 --> 00:52:55,806 I'M GOING TO STAND GUARD AT LUCY'S GRAVE, 1025 00:52:55,840 --> 00:52:57,542 AS THE PROFESSOR SUGGESTED. 1026 00:52:57,575 --> 00:52:59,944 SURELY YOU DON'T BELIEVE THIS VAMPIRE BUSINESS. 1027 00:52:59,977 --> 00:53:02,747 OH, I DON'T KNOW WHAT I BELIEVE. 1028 00:53:02,780 --> 00:53:05,716 BUT ON THE ODD CHANCE THAT VAN HELSING IS RIGHT, 1029 00:53:05,750 --> 00:53:07,685 I SHOULD NEVER FORGIVE MYSELF 1030 00:53:07,718 --> 00:53:08,919 IF I DIDN'T MAKE SURE. 1031 00:53:08,953 --> 00:53:10,621 ALL RIGHT, ALL RIGHT. GO AHEAD. GO AHEAD. 1032 00:53:10,655 --> 00:53:12,490 BUT I THINK YOU'RE WASTING YOUR TIME. 1033 00:53:12,523 --> 00:53:15,393 HEH. POPPYCOCK. 1034 00:53:29,940 --> 00:53:31,942 AAH! 1035 00:53:31,976 --> 00:53:34,379 GOTT IN HIMMEL! 1036 00:54:01,839 --> 00:54:05,843 Lucy, singsong: JONATHAN... 1037 00:54:09,314 --> 00:54:12,983 Lucy: JONATHAN... 1038 00:54:24,462 --> 00:54:25,530 LUCY? 1039 00:54:26,997 --> 00:54:29,667 OH, COME AWAY WITH ME, JONATHAN. 1040 00:54:33,738 --> 00:54:36,073 I KNOW YOU'VE ALWAYS WANTED ME... 1041 00:54:36,106 --> 00:54:38,976 AND I'VE ALWAYS WANTED YOU. 1042 00:54:39,009 --> 00:54:40,978 FINALLY, WE CAN BE TOGETHER. 1043 00:54:41,879 --> 00:54:46,016 BUT, LUCY, I'M ENGAGED TO MINA. 1044 00:54:46,050 --> 00:54:47,952 AND YOU'RE DEAD. 1045 00:54:47,985 --> 00:54:49,954 I'M NOT DEAD. 1046 00:54:49,987 --> 00:54:53,691 I'M UNDEAD. 1047 00:54:53,724 --> 00:54:58,563 YES, WELL, I'M NOT UNENGAGED. 1048 00:54:58,596 --> 00:55:00,598 THANK YOU. 1049 00:55:00,631 --> 00:55:04,001 JONATHAN, LET ME KISS YOU. 1050 00:55:04,034 --> 00:55:08,005 LET ME SHOW YOU THE DEEP, RAW PASSION 1051 00:55:08,038 --> 00:55:11,942 OF UNBRIDLED SEXUAL FRENZY. 1052 00:55:11,976 --> 00:55:13,944 UH, BUT, LUCY... 1053 00:55:13,978 --> 00:55:15,713 I'M BRITISH. 1054 00:55:15,746 --> 00:55:17,482 BUT SO ARE THESE! 1055 00:55:18,716 --> 00:55:20,651 LUCY! 1056 00:55:20,685 --> 00:55:22,052 UH HUH HUH HUH! 1057 00:55:22,086 --> 00:55:23,488 UHH! 1058 00:55:23,521 --> 00:55:25,890 NOW WE CAN BE TOGETHER, 1059 00:55:25,923 --> 00:55:27,392 FOREVER. 1060 00:55:27,425 --> 00:55:28,859 Van Helsing: BACK! 1061 00:55:28,893 --> 00:55:31,028 [HISSES] 1062 00:55:32,397 --> 00:55:34,999 BACK, UNHOLY DEMON OF THE NIGHT. 1063 00:55:35,032 --> 00:55:37,368 [HISSES] 1064 00:55:40,905 --> 00:55:42,940 AFTER HER! THIS IS OUR CHANCE! 1065 00:55:42,973 --> 00:55:44,809 FOR WHAT? 1066 00:55:44,842 --> 00:55:46,644 TO DESTROY HER, MY BOY. 1067 00:55:46,677 --> 00:55:49,380 SHE'S RETREATED TO HER CRYPT. COME! 1068 00:55:58,856 --> 00:55:59,890 MY GOD. 1069 00:55:59,924 --> 00:56:01,826 NOW SHE'S DEAD. 1070 00:56:01,859 --> 00:56:02,727 NO, SHE'S NOT. 1071 00:56:02,760 --> 00:56:04,128 SHE'S ALIVE? 1072 00:56:04,161 --> 00:56:06,497 SHE'S NOSFERATU. 1073 00:56:06,531 --> 00:56:08,399 SHE'S ITALIAN? 1074 00:56:08,433 --> 00:56:10,901 NO. IT MEANS "THE UNDEAD." 1075 00:56:10,935 --> 00:56:13,704 SHE'S CURSED TO SPEND ETERNITY IN MISERY, 1076 00:56:13,738 --> 00:56:16,507 HUNTING THE LIVING LIKE A WILD ANIMAL. 1077 00:56:16,541 --> 00:56:18,643 WHAT SHOULD WE DO? 1078 00:56:18,676 --> 00:56:20,511 FOR THE SAKE OF HER ETERNAL SOUL, 1079 00:56:20,545 --> 00:56:22,413 WE MUST DESTROY HER. 1080 00:56:22,447 --> 00:56:27,618 THE ONLY WAY IS TO DRIVE A WOODEN STAKE... 1081 00:56:27,652 --> 00:56:29,720 THROUGH HER HEART! 1082 00:56:29,754 --> 00:56:31,188 OH, THAT'S HORRIBLE. 1083 00:56:31,221 --> 00:56:32,923 IS THERE NO OTHER WAY? 1084 00:56:32,957 --> 00:56:34,559 ONE OTHER. 1085 00:56:34,592 --> 00:56:36,727 WE COULD CUT OFF HER HEAD, 1086 00:56:36,761 --> 00:56:38,896 STUFF HER MOUTH WITH GARLIC, 1087 00:56:38,929 --> 00:56:41,732 AND TEAR OFF HER EARS. 1088 00:56:43,067 --> 00:56:44,168 GIVE ME THE STAKE. 1089 00:56:44,201 --> 00:56:45,870 OK. 1090 00:56:45,903 --> 00:56:48,172 OH, NO. NO, I CAN'T DO IT. 1091 00:56:48,205 --> 00:56:49,840 YOU--YOU DO IT. 1092 00:56:49,874 --> 00:56:53,544 IT MUST BE DONE BY ONE WHO LOVED HER IN LIFE. 1093 00:56:53,578 --> 00:56:54,579 I ONLY LIKED HER. 1094 00:56:54,612 --> 00:56:56,814 CLOSE ENOUGH. HERE. 1095 00:56:56,847 --> 00:56:58,182 GOOD BOY. ALL RIGHT. 1096 00:56:58,215 --> 00:56:59,183 YOU CAN DO IT. 1097 00:56:59,216 --> 00:57:00,618 YOU CAN DO IT. HERE. 1098 00:57:00,651 --> 00:57:02,520 NOW PLACE THE POINT OF THE STAKE 1099 00:57:02,553 --> 00:57:04,021 DIRECTLY OVER HER HEART. 1100 00:57:04,054 --> 00:57:05,022 RIGHT. 1101 00:57:05,055 --> 00:57:08,559 AND HIT AS HARD AS YOU CAN. 1102 00:57:09,894 --> 00:57:11,562 WAIT! 1103 00:57:14,164 --> 00:57:15,432 NOW! 1104 00:57:20,270 --> 00:57:25,543 OHH, MY...GOD! 1105 00:57:25,576 --> 00:57:28,713 THERE'S SO MUCH BLOOD! 1106 00:57:28,746 --> 00:57:30,815 SHE JUST ATE! 1107 00:57:31,782 --> 00:57:34,552 UHH! SHE'S STILL ALIVE. 1108 00:57:34,585 --> 00:57:36,253 HIT HER AGAIN! 1109 00:57:36,286 --> 00:57:38,523 NO, NO. I CAN'T. 1110 00:57:38,556 --> 00:57:41,091 HOW MUCH BLOOD CAN SHE HAVE LEFT? 1111 00:57:41,125 --> 00:57:42,192 OHH... 1112 00:57:42,226 --> 00:57:43,694 GO. 1113 00:57:43,728 --> 00:57:45,863 [WHIMPERS] 1114 00:57:49,734 --> 00:57:51,135 UH HUH HUH. 1115 00:57:51,168 --> 00:57:54,138 UH HUH. UHH... 1116 00:57:55,172 --> 00:57:58,008 SHE'S ALMOST DEAD. 1117 00:57:59,544 --> 00:58:01,612 SHE'S DEAD ENOUGH. 1118 00:58:02,312 --> 00:58:04,582 OHH. 1119 00:58:04,615 --> 00:58:08,218 OH, THIS IS-- THIS IS GHASTLY. 1120 00:58:08,252 --> 00:58:10,788 YES, YOU'RE RIGHT. 1121 00:58:10,821 --> 00:58:13,190 WE SHOULD HAVE PUT NEWSPAPERS DOWN. 1122 00:58:13,223 --> 00:58:16,260 OHH. OH, WHAT HAVE I DONE? 1123 00:58:16,293 --> 00:58:19,764 WHAT HAVE I DONE TO POOR LUCY? 1124 00:58:19,797 --> 00:58:22,867 YOU HAVE RELEASED HER, MY BOY. 1125 00:58:22,900 --> 00:58:25,302 NOW SHE SLEEPS IN PEACE... 1126 00:58:25,335 --> 00:58:26,804 FOREVER. 1127 00:58:26,837 --> 00:58:29,073 HERE. HERE. CLEAN YOURSELF UP. 1128 00:58:29,106 --> 00:58:30,274 THANK YOU. 1129 00:58:30,307 --> 00:58:32,176 [CRYING] OH, POOR LUCY. 1130 00:58:33,310 --> 00:58:36,513 POOR, POOR LUCY. 1131 00:58:37,848 --> 00:58:40,217 OH. HERE. 1132 00:58:42,186 --> 00:58:43,654 KEEP IT. 1133 00:58:44,321 --> 00:58:46,657 [WRINGS CLOTH] 1134 00:58:59,069 --> 00:59:00,938 ESSIE... 1135 00:59:00,971 --> 00:59:03,107 ESSIE... 1136 00:59:03,140 --> 00:59:07,044 YOUR EYELIDS ARE GROWING HEAVY. 1137 00:59:07,077 --> 00:59:09,079 YOU WILL SLEEP. 1138 00:59:09,113 --> 00:59:12,683 SLEEP. 1139 00:59:14,151 --> 00:59:16,621 MINA... 1140 00:59:16,654 --> 00:59:23,661 MINA, OPEN YOUR EYES. 1141 00:59:23,694 --> 00:59:27,097 ARISE, MINA. 1142 00:59:31,001 --> 00:59:33,704 WALK TO THE DOOR. 1143 00:59:41,211 --> 00:59:46,150 MINA, YOU ARE IN THE CLOSET. 1144 00:59:46,183 --> 00:59:48,986 OPEN THE DOOR... 1145 00:59:49,019 --> 00:59:51,355 AND COME OUT. 1146 00:59:56,160 --> 01:00:00,297 NOW WALK TO THE TERRACE DOOR. 1147 01:00:02,800 --> 01:00:04,168 WATCH OUT FOR THE FOOT-- 1148 01:00:04,201 --> 01:00:06,403 [THUD] 1149 01:00:06,436 --> 01:00:09,139 STOOL. 1150 01:00:10,240 --> 01:00:11,809 STAND UP. 1151 01:00:11,842 --> 01:00:14,945 NOT YOU. SIT. 1152 01:00:14,979 --> 01:00:17,648 NO, NOT YOU. YOU SIT. 1153 01:00:17,682 --> 01:00:19,684 YOU STAND. 1154 01:00:19,717 --> 01:00:21,151 NO, SIT. 1155 01:00:21,185 --> 01:00:23,153 NO, YOU STAND. 1156 01:00:23,187 --> 01:00:24,855 YOU WALK TO THE TERRACE DOOR, 1157 01:00:24,889 --> 01:00:26,891 AND YOU GO BACK TO SLEEP. 1158 01:00:26,924 --> 01:00:28,225 WATCH OUT! 1159 01:00:29,293 --> 01:00:30,928 OHH! 1160 01:00:32,930 --> 01:00:34,331 WAIT. 1161 01:00:34,364 --> 01:00:36,166 I'M COMING. 1162 01:00:36,200 --> 01:00:38,235 TURN OUT THE LIGHTS 1163 01:00:38,268 --> 01:00:40,170 SO NO ONE WILL SEE ME. 1164 01:00:48,779 --> 01:00:51,415 YOU WILL BE MY BRIDE THROUGHOUT ETERNITY. 1165 01:00:51,448 --> 01:00:54,952 WE'LL SHARE THE ENDLESS PASSION OF IMMORTAL LOVE. 1166 01:00:54,985 --> 01:00:56,386 OH, I CAN'T WAIT! 1167 01:00:56,420 --> 01:00:58,388 NOT YOU! 1168 01:01:02,026 --> 01:01:03,761 [LOUD CRASH] 1169 01:01:03,794 --> 01:01:06,330 [SPEAKING QUICKER] YOU WILL BE MY BRIDE THROUGHOUT ETERNITY. 1170 01:01:06,363 --> 01:01:08,733 WE'LL SHARE THE ENDLESS PASSION OF IMMORTAL LOVE. 1171 01:01:10,300 --> 01:01:11,736 Van Helsing: OH, MY BOY. 1172 01:01:11,769 --> 01:01:13,270 SUCH A NIGHT. 1173 01:01:13,303 --> 01:01:17,207 OH, SUCH A NIGHT! OH! 1174 01:01:17,241 --> 01:01:20,778 MY GOD, MAN! WHAT'S HAPPENED TO YOU? 1175 01:01:20,811 --> 01:01:24,448 EVERYTHING. PROFESSOR VAN HELSING WAS ABSOLUTELY RIGHT. 1176 01:01:24,481 --> 01:01:28,252 LUCY ROSE FROM HER GRAVE AND ATTACKED ME. 1177 01:01:28,285 --> 01:01:30,054 AND NOW... 1178 01:01:30,087 --> 01:01:31,989 AT LAST... 1179 01:01:32,022 --> 01:01:34,291 SHE SLEEPS IN PEACE. 1180 01:01:34,324 --> 01:01:37,928 YOU MEAN LUCY ACTUALLY BECAME A VAMPIRE? 1181 01:01:37,962 --> 01:01:39,029 YES. JA. 1182 01:01:39,063 --> 01:01:40,464 WHERE'S MINA? 1183 01:01:40,497 --> 01:01:42,466 OH, SHE'S ALL RIGHT, FAST ASLEEP. 1184 01:01:42,499 --> 01:01:44,001 ESSIE IS SITTING WATCH OVER HER. 1185 01:01:44,034 --> 01:01:46,837 GOOD. I'LL JUST SIT WATCH MYSELF 1186 01:01:46,871 --> 01:01:48,105 IN FRONT OF HER DOOR, THEN. 1187 01:01:48,138 --> 01:01:50,040 UH, UH, DON'T YOU THINK YOU OUGHT TO 1188 01:01:50,074 --> 01:01:51,275 GET CLEANED UP FIRST, OLD BOY? 1189 01:01:51,308 --> 01:01:53,043 OH, YES, QUITE RIGHT. 1190 01:01:53,077 --> 01:01:55,913 UH, DO YOU MIND USING THE SERVANTS' ENTRANCE? 1191 01:01:56,781 --> 01:01:58,816 THERE'S A GOOD CHAP. 1192 01:01:58,849 --> 01:02:01,418 I DON'T UNDERSTAND IT. HE'S COVERED WITH BLOOD, 1193 01:02:01,451 --> 01:02:03,353 AND THERE'S NOT A DROP ON YOU. WHY? 1194 01:02:03,387 --> 01:02:06,256 I HAVE BEEN TO MANY, MANY STAKINGS. 1195 01:02:06,290 --> 01:02:09,093 YOU HAVE TO KNOW WHERE TO STAND. 1196 01:02:09,126 --> 01:02:11,962 YOU KNOW, EVERYTHING IN LIFE 1197 01:02:11,996 --> 01:02:15,933 IS LOCATION, LOCATION, LOCATION. 1198 01:02:44,394 --> 01:02:49,233 AND NOW WE SHALL DO THE DANCE OF LOVE. 1199 01:02:50,968 --> 01:02:52,269 AH! 1200 01:02:52,302 --> 01:02:54,438 [PLAYING GOTHIC MELODY] 1201 01:03:02,880 --> 01:03:05,015 [TANGO MELODY PLAYING] 1202 01:03:24,068 --> 01:03:25,035 [MUSIC PAUSES] 1203 01:03:25,069 --> 01:03:27,037 YOU'RE GOOD! 1204 01:03:27,071 --> 01:03:29,206 [MUSIC RESUMES] 1205 01:03:53,363 --> 01:03:54,965 [GRUNTING] 1206 01:03:57,234 --> 01:03:58,602 HEY, STOP IT! 1207 01:03:58,635 --> 01:04:00,270 [MUSIC PAUSES] 1208 01:04:00,304 --> 01:04:02,372 [MUSIC RESUMES] 1209 01:04:32,469 --> 01:04:34,538 [HISSES] 1210 01:04:34,571 --> 01:04:36,640 OH, NO HICKEYS! OH! 1211 01:04:36,673 --> 01:04:39,243 OH! OHH! 1212 01:04:42,679 --> 01:04:45,015 [BIRDS CHIRPING] 1213 01:04:51,088 --> 01:04:53,457 MINA? OHH! 1214 01:04:53,490 --> 01:04:57,394 OH...JONATHAN! 1215 01:04:57,427 --> 01:04:58,929 SHH! 1216 01:05:03,700 --> 01:05:06,003 SHOULDN'T WE ROUSE HER? 1217 01:05:06,036 --> 01:05:08,939 YES, PERHAPS YOU'RE RIGHT. ESSIE? 1218 01:05:08,973 --> 01:05:11,408 OH! OH, I MUST'VE DROPPED OFF. 1219 01:05:11,441 --> 01:05:14,678 GOOD GRACIOUS! IT'S MORNING! 1220 01:05:14,711 --> 01:05:17,982 ONE MOMENT, I WAS ON GUARD WIDE AWAKE, 1221 01:05:18,015 --> 01:05:20,117 AND THE NEXT, I FELT LIKE... 1222 01:05:20,150 --> 01:05:24,121 A DARK CLOUD CAME OVER ME. 1223 01:05:24,154 --> 01:05:25,655 ARE YOU ALL RIGHT? 1224 01:05:25,689 --> 01:05:29,226 OH, FINE. HERE WE ARE, THEN, SAFE AND SOUND. 1225 01:05:29,259 --> 01:05:32,062 IT'S GETTING ON. I BEST SEE TO BREAKFAST. 1226 01:05:32,096 --> 01:05:33,497 OW! [BONES CREAKING] 1227 01:05:33,530 --> 01:05:35,332 WHERE'D THAT COME FROM? 1228 01:05:35,365 --> 01:05:37,401 HEH HEH HEH! 1229 01:05:37,434 --> 01:05:39,736 JONATHAN, I HAD 1230 01:05:39,769 --> 01:05:42,572 THE MOST EXTRAORDINARY DREAMS LAST NIGHT. 1231 01:05:42,606 --> 01:05:46,010 I FEEL SO...DIFFERENT. 1232 01:05:46,043 --> 01:05:50,247 YOU... LOOK DIFFERENT, MINA. 1233 01:05:50,280 --> 01:05:53,017 OHH. COME. 1234 01:05:55,585 --> 01:05:58,355 SIT WITH ME. 1235 01:05:58,388 --> 01:05:59,689 CLOSER. 1236 01:06:02,759 --> 01:06:04,261 AHEM. 1237 01:06:04,294 --> 01:06:08,165 CLOSER, YOU SILLY BOY! 1238 01:06:08,198 --> 01:06:10,667 DARLING, WE KNOW EACH OTHER SO WELL, 1239 01:06:10,700 --> 01:06:13,070 AND YET WE'VE NEVER REALLY... 1240 01:06:13,103 --> 01:06:15,605 EXPLORED EACH OTHER. 1241 01:06:15,639 --> 01:06:17,774 THANK GOD. 1242 01:06:17,807 --> 01:06:19,443 JONATHAN, I'VE CHANGED. 1243 01:06:19,476 --> 01:06:21,345 I'M NOT THE MINA YOU KNEW. 1244 01:06:21,378 --> 01:06:23,580 WHAT DO YOU MEAN, DEAREST? 1245 01:06:23,613 --> 01:06:25,415 I WANT YOU TO DO SOMETHING FOR ME, 1246 01:06:25,449 --> 01:06:27,684 SOMETHING THAT I HAVE NEVER ASKED YOU BEFORE. 1247 01:06:27,717 --> 01:06:30,054 OF COURSE, MY DEAR. ANYTHING. 1248 01:06:30,087 --> 01:06:32,556 GOOD. TOUCH THIS. 1249 01:06:32,589 --> 01:06:35,192 DON'T MIND IF I D--HEY! 1250 01:06:35,225 --> 01:06:38,162 MINA! WHAT ARE YOU SAYING?! 1251 01:06:38,195 --> 01:06:42,066 ALL RIGHT, YOU DON'T HAVE TO TOUCH ANYTHING. 1252 01:06:42,099 --> 01:06:43,167 I'LL TOUCH YOU. 1253 01:06:43,200 --> 01:06:44,468 NO! 1254 01:06:44,501 --> 01:06:48,372 MINA...STOP THIS IMMEDIATELY! 1255 01:06:48,405 --> 01:06:51,708 WHAT'S COME OVER YOU? I'M LEAVING. 1256 01:06:51,741 --> 01:06:53,410 NO, PLEASE DON'T GO! 1257 01:06:53,443 --> 01:06:54,744 YOU'RE RIGHT. 1258 01:06:54,778 --> 01:06:56,513 YOU'RE RIGHT. SOMETHING IS WRONG WITH ME, 1259 01:06:56,546 --> 01:06:58,715 AND IT'S--IT'S TAKING OVER MY MIND 1260 01:06:58,748 --> 01:07:00,717 AND FORCING ME TO SAY THINGS I WOULD NEVER SAY 1261 01:07:00,750 --> 01:07:04,221 AND DO THINGS I WOULD NEVER DO. 1262 01:07:04,254 --> 01:07:07,491 JONATHAN, PLEASE HELP ME. PLEASE HELP ME! 1263 01:07:07,524 --> 01:07:09,293 OH, MINA, MINA, YES. 1264 01:07:09,326 --> 01:07:10,694 ANYTHING! WHAT CAN I DO? 1265 01:07:10,727 --> 01:07:12,196 TOUCH THIS! 1266 01:07:12,229 --> 01:07:13,630 OH! [WHIMPERS] 1267 01:07:13,663 --> 01:07:17,201 GOOD MORNING, MINA! HOW DID YOU SLEE--HARKER! 1268 01:07:17,234 --> 01:07:19,069 OH, OH... 1269 01:07:19,103 --> 01:07:21,605 JONATHAN, TAKE YOUR HANDS OFF ME! 1270 01:07:21,638 --> 01:07:23,740 YES, YES, TAKE YOUR HANDS OFF HER! 1271 01:07:23,773 --> 01:07:27,177 UH, UH, SORRY, SIR. 1272 01:07:27,211 --> 01:07:28,578 YOU SHOULD BE ASHAMED OF YOURSELF! 1273 01:07:28,612 --> 01:07:30,280 BUT SHE MADE ME DO IT. 1274 01:07:30,314 --> 01:07:31,715 IS THAT RIGHT, MINA? 1275 01:07:31,748 --> 01:07:33,617 NO, FATHER. 1276 01:07:33,650 --> 01:07:35,519 SUDDENLY, WITHOUT ANY REASON AT ALL, 1277 01:07:35,552 --> 01:07:37,521 HE LAID HIS HANDS ON ME. 1278 01:07:37,554 --> 01:07:39,389 OOH, SHE TOLD ME TO TOUCH IT! 1279 01:07:39,423 --> 01:07:42,626 HARKER, YOU'RE A DEGENERATE! 1280 01:07:42,659 --> 01:07:44,628 I TAKE YOU INTO MY HOME, 1281 01:07:44,661 --> 01:07:46,363 YOU EAT MY FOOD, YOU DRINK MY WINE, 1282 01:07:46,396 --> 01:07:48,398 BUT THAT'S NOT ENOUGH FOR YOU! OH, NO! 1283 01:07:48,432 --> 01:07:51,201 AFTER BEING ENGAGED TO MY DAUGHTER FOR ONLY 5 YEARS, 1284 01:07:51,235 --> 01:07:54,671 YOU HAVE THE AUDACITY TO...TOUCH HER! 1285 01:07:54,704 --> 01:07:56,506 GET OUT! 1286 01:07:56,540 --> 01:07:59,509 BUT, SIR-- OUT, I SAY. 1287 01:07:59,543 --> 01:08:02,346 WHAT IS HAPPENING HERE? 1288 01:08:02,379 --> 01:08:04,148 TERRIBLE DOINGS! 1289 01:08:04,181 --> 01:08:06,350 FOUND YOUNG HARKER HERE WITH HIS HANDS ALL OVER MY DAUGHTER. 1290 01:08:06,383 --> 01:08:07,517 BUT SHE FORCED ME TO, SIR. 1291 01:08:07,551 --> 01:08:09,553 SHE'S BEEN BEHAVING RATHER STRANGELY. 1292 01:08:09,586 --> 01:08:12,822 IT'S AS THROUGH SHE'S BEEN UNDER SOME SORT OF A...SPELL. 1293 01:08:13,857 --> 01:08:16,393 SPELL? 1294 01:08:16,426 --> 01:08:20,197 THAT'S A VERY LOVELY SCARF YOU'RE WEARING, MISS MINA. 1295 01:08:20,230 --> 01:08:23,467 OH! YES, I FELT CHILLY THIS MORNING. 1296 01:08:23,500 --> 01:08:26,570 HMM. EXCUSE ME. 1297 01:08:26,603 --> 01:08:30,840 MAY I HAVE...A LOOK? 1298 01:08:30,874 --> 01:08:32,542 JUST AS I THOUGHT! 1299 01:08:32,576 --> 01:08:34,778 LIKE-- LIKE LUCY! 1300 01:08:34,811 --> 01:08:37,414 OH, NO, IT'S NOTHING! 1301 01:08:37,447 --> 01:08:40,450 I ACCIDENTALLY DID IT WHILE I WAS PINNING A SHAWL. 1302 01:08:40,484 --> 01:08:41,785 OH, REALLY? 1303 01:08:41,818 --> 01:08:44,388 I HAVE SOMETHING FOR YOU, MISS MINA. 1304 01:08:44,421 --> 01:08:45,855 A PRESENT? 1305 01:08:45,889 --> 01:08:50,327 SORT OF. HOLD OUT YOUR HAND. HERE. 1306 01:08:50,360 --> 01:08:52,329 [SIZZLES] AAH! 1307 01:08:52,362 --> 01:08:54,130 MINA! 1308 01:08:55,399 --> 01:08:58,668 HERE. LOOK! 1309 01:08:58,702 --> 01:09:00,404 WHAT IS THAT? 1310 01:09:00,437 --> 01:09:03,473 IT IS PROOF, MY UNFORTUNATE FRIEND, 1311 01:09:03,507 --> 01:09:06,376 THAT YOUR DAUGHTER HAS BEEN CORRUPTED 1312 01:09:06,410 --> 01:09:09,246 BY THE EVIL OF A VAMPIRE. 1313 01:09:09,279 --> 01:09:10,847 WE MUST FIND THIS VAMPIRE 1314 01:09:10,880 --> 01:09:13,217 BEFORE MINA MEETS THE SAME FATE AS LUCY! 1315 01:09:13,250 --> 01:09:14,784 BUT WHO IS THE VAMPIRE? 1316 01:09:14,818 --> 01:09:16,886 VAN HELSING SUSPECTS COUNT DRACULA. 1317 01:09:16,920 --> 01:09:18,488 IT COULD ALSO BE RENFIELD. 1318 01:09:18,522 --> 01:09:20,357 THE MAN DRINKS THE BLOOD OF INSECTS 1319 01:09:20,390 --> 01:09:22,492 AND BENT THE BARS OF HIS CELL LIKE THEY WERE CHEESE. 1320 01:09:22,526 --> 01:09:25,362 IT COULD BE ANYONE. 1321 01:09:25,395 --> 01:09:26,863 THERE IS A WAY, 1322 01:09:26,896 --> 01:09:29,333 AN INDISPUTABLE WAY, 1323 01:09:29,366 --> 01:09:33,670 TO REVEAL THE VAMPIRE. 1324 01:09:33,703 --> 01:09:35,839 [WALTZ PLAYING] 1325 01:09:50,954 --> 01:09:52,889 I'M GOING ALONG WITH YOU ON THIS, VAN HELSING, 1326 01:09:52,922 --> 01:09:55,792 BUT I THINK THIS BALL IS IN EXTREMELY BAD TASTE. 1327 01:09:55,825 --> 01:09:57,327 LUCY DEAD LESS THAN A FORTNIGHT 1328 01:09:57,361 --> 01:09:58,962 AND MINA'S HEALTH HANGING IN THE BALANCE. 1329 01:09:58,995 --> 01:10:01,398 THE BALL'S BEEN IN PROGRESS FOR OVER AN HOUR. 1330 01:10:01,431 --> 01:10:03,667 IT APPEARS AS IF COUNT DRACULA ISN'T COMING. 1331 01:10:03,700 --> 01:10:06,270 I HOPE YOU'RE WRONG, MY BOY. 1332 01:10:06,303 --> 01:10:09,673 I ESPECIALLY WANTED TO SEE COUNT DRACULA TONIGHT. 1333 01:10:09,706 --> 01:10:11,608 I WONDER IF HE SUSPECTS SOMETHING, 1334 01:10:11,641 --> 01:10:13,510 GOOD EVENING. All: AAH! 1335 01:10:13,543 --> 01:10:16,280 DID I STARTLE YOU? 1336 01:10:16,313 --> 01:10:17,714 NO! NO, NO, NO! NO! 1337 01:10:17,747 --> 01:10:19,983 NOT AT ALL! IT'S QUITE ALL RIGHT! 1338 01:10:20,016 --> 01:10:22,252 Servant: MAY I TAKE YOUR CAPE, SIR? 1339 01:10:22,286 --> 01:10:25,589 NO, NOT MY CAPE. YOU MAY TAKE MY HAT. 1340 01:10:27,957 --> 01:10:29,693 THANK YOU. 1341 01:10:31,528 --> 01:10:33,430 YES, WE WERE AFRAID 1342 01:10:33,463 --> 01:10:35,832 YOU WOULDN'T SHOW UP. 1343 01:10:35,865 --> 01:10:38,668 I WOULD NOT MISS YOUR GALA. 1344 01:10:38,702 --> 01:10:40,404 I ALWAYS KEEP MY NIGHTS OPEN 1345 01:10:40,437 --> 01:10:42,739 FOR NEW EXPERIENCES. 1346 01:10:44,941 --> 01:10:46,610 AH! 1347 01:10:46,643 --> 01:10:50,280 MISS MINA LOOKS ESPECIALLY LOVELY TONIGHT. 1348 01:10:50,314 --> 01:10:52,449 WOULD YOU BE INSANELY JEALOUS 1349 01:10:52,482 --> 01:10:54,451 IF I SHOULD ASK HER TO DANCE? 1350 01:10:54,484 --> 01:10:56,753 WELL, TO BE PERFECTLY FRANK-- 1351 01:10:56,786 --> 01:10:57,921 [STOMPS] NOT AT ALL. 1352 01:10:57,954 --> 01:10:59,823 THANK YOU. 1353 01:11:00,790 --> 01:11:02,025 OW. 1354 01:11:03,327 --> 01:11:06,496 PSST! MASTER, YOU'RE HERE! 1355 01:11:06,530 --> 01:11:08,532 YOU'RE HERE-- SHH! 1356 01:11:08,565 --> 01:11:11,368 DO NOT CALL ME "MASTER." 1357 01:11:12,369 --> 01:11:13,503 WHAT ARE YOU DOING HERE? 1358 01:11:13,537 --> 01:11:15,839 I DON'T KNOW. THEY INVITED ME. 1359 01:11:15,872 --> 01:11:18,007 I SMELL A RAT. 1360 01:11:18,041 --> 01:11:19,008 WHERE? [SNIFFING] 1361 01:11:19,042 --> 01:11:21,545 RENFIELD! 1362 01:11:21,578 --> 01:11:24,881 IF I AM DISCOVERED, WE MUST FLEE. 1363 01:11:24,914 --> 01:11:27,851 YES. I'LL ESCAPE. I'LL MEET YOU AT CARFAX-- 1364 01:11:27,884 --> 01:11:29,953 NO. THAT WOULD BE TOO DANGEROUS. 1365 01:11:29,986 --> 01:11:32,021 THEY WILL SEARCH THERE FIRST. 1366 01:11:32,055 --> 01:11:35,859 I HAVE MOVED MY COFFIN TO THE ABANDONED CHAPEL 1367 01:11:35,892 --> 01:11:38,061 AT THE TOP OF THE CLIFFS. 1368 01:11:38,094 --> 01:11:40,464 WHEN YOU COME, MAKE SURE YOU'RE NOT BEING FOLLOWED. 1369 01:11:40,497 --> 01:11:41,565 DO YOU UNDERSTAND? 1370 01:11:41,598 --> 01:11:42,566 YES, MASTER. 1371 01:11:42,599 --> 01:11:43,867 DO NOT CALL ME "MASTER!" 1372 01:11:43,900 --> 01:11:45,935 YES, MA--MMM! 1373 01:11:53,943 --> 01:11:55,779 Man: YES, SPLENDID! 1374 01:11:55,812 --> 01:11:58,047 BRAVO! 1375 01:11:58,081 --> 01:12:01,585 GOOD EVENING, MISS MINA. 1376 01:12:01,618 --> 01:12:03,987 MAY I HAVE THE NEXT DANCE? 1377 01:12:04,020 --> 01:12:05,655 I BEG YOUR PARDON, SIR. 1378 01:12:05,689 --> 01:12:07,691 CAN'T YOU SEE I'M HAVING A DRINK WITH MISS MINA? 1379 01:12:07,724 --> 01:12:10,527 YOU HAVE FINISHED YOUR DRINK. 1380 01:12:12,929 --> 01:12:15,098 SO I HAVE. 1381 01:12:15,131 --> 01:12:17,534 COME, MISS MINA. 1382 01:12:17,567 --> 01:12:19,703 [WALTZ PLAYING] 1383 01:12:32,516 --> 01:12:33,517 MARTIN! 1384 01:12:33,550 --> 01:12:35,351 RIGHT! 1385 01:12:43,860 --> 01:12:45,462 Van Helsing: NOW! 1386 01:12:50,166 --> 01:12:51,134 HUH? 1387 01:12:51,167 --> 01:12:54,871 Seward: I CAN'T SEE HIM! 1388 01:12:54,904 --> 01:12:56,172 H-HOW CAN THIS BE? 1389 01:12:56,205 --> 01:12:59,843 THE VAMPIRE CASTS NO REFLECTION 1390 01:12:59,876 --> 01:13:01,545 IN A MIRROR. 1391 01:13:06,950 --> 01:13:09,085 [LAUGHING] 1392 01:13:10,954 --> 01:13:13,757 SHE'S DOING QUITE WELL WITHOUT HIM, ISN'T SHE? 1393 01:13:16,993 --> 01:13:18,528 OH, LOOK! LOOK IN THE MIRROR! 1394 01:13:18,562 --> 01:13:19,863 DO YOU SEE THAT? 1395 01:13:19,896 --> 01:13:22,599 HEY, WE MUST BE GOOD! 1396 01:13:22,632 --> 01:13:25,134 LET'S REALLY GIVE THEM SOMETHING TO WATCH! 1397 01:13:25,168 --> 01:13:27,671 PLAY THE CZARDAS! 1398 01:13:27,704 --> 01:13:29,973 CZARDAS! 1399 01:13:30,006 --> 01:13:31,174 [TAMBOURINE RATTLES] 1400 01:13:31,207 --> 01:13:33,543 [CZARDAS PLAYING] 1401 01:13:48,758 --> 01:13:50,960 Guests: OH! 1402 01:13:52,529 --> 01:13:53,730 HUH?! 1403 01:13:53,763 --> 01:13:55,465 OHH! 1404 01:13:56,566 --> 01:13:58,568 THEY'RE LOVING IT! 1405 01:13:59,636 --> 01:14:00,970 OH! 1406 01:14:06,743 --> 01:14:08,478 COME ON! 1407 01:14:08,512 --> 01:14:10,814 BIG FINISH! 1408 01:14:12,582 --> 01:14:14,050 Guests: OH! 1409 01:14:19,956 --> 01:14:22,091 [LAUGHING] 1410 01:14:37,206 --> 01:14:38,174 [CZARDAS ENDS] 1411 01:14:38,207 --> 01:14:40,243 [ALL MUTTERING] 1412 01:14:53,322 --> 01:14:57,927 YOU ARE A VERY WISE MAN, VAN HELSING, 1413 01:14:57,961 --> 01:15:00,530 FOR SOMEONE WHO HAS YET TO LIVE 1414 01:15:00,564 --> 01:15:02,265 A SINGLE LIFETIME! 1415 01:15:06,102 --> 01:15:07,804 OHH! 1416 01:15:09,238 --> 01:15:11,007 OHH! 1417 01:15:11,040 --> 01:15:13,276 [HISSES] 1418 01:15:14,911 --> 01:15:17,046 [GUESTS SCREAM] 1419 01:15:20,917 --> 01:15:21,985 MINA! GET HIM! 1420 01:15:25,722 --> 01:15:27,557 [GUESTS SCREAM] 1421 01:15:27,591 --> 01:15:29,993 MASTER! MASTER! 1422 01:15:30,894 --> 01:15:34,564 I MEAN, MISTER! MISTER! 1423 01:15:34,598 --> 01:15:36,132 GIVE IT UP, YOU! AAH! 1424 01:15:36,165 --> 01:15:37,867 WHERE DO YOU THINK YOU'RE GOING? 1425 01:15:37,901 --> 01:15:39,936 PROFESSOR! 1426 01:15:39,969 --> 01:15:42,906 WE MUST FIND THEM BEFORE SUNRISE! 1427 01:15:42,939 --> 01:15:44,574 WHY BEFORE SUNRISE? 1428 01:15:44,608 --> 01:15:46,776 BECAUSE THE RAYS OF THE SUN WILL DESTROY HIM. 1429 01:15:46,810 --> 01:15:49,045 HE MUST HIDE DURING THE DAYLIGHT HOURS. 1430 01:15:49,078 --> 01:15:52,315 COME, OR MISS MINA WILL BE LOST TO US FOREVER. COME. 1431 01:15:52,348 --> 01:15:55,151 COME ALONG, OLD FLY-EATER. 1432 01:15:56,285 --> 01:15:58,354 WE'VE SEARCHED CARFAX ABBEY FROM TOP TO BOTTOM. 1433 01:15:58,387 --> 01:15:59,889 THERE'S NO TRACE OF HIM. 1434 01:15:59,923 --> 01:16:01,024 WHAT CAN WE DO, PROFESSOR? 1435 01:16:01,057 --> 01:16:02,025 WHERE COULD HE BE? 1436 01:16:02,058 --> 01:16:03,927 I DON'T KNOW. 1437 01:16:03,960 --> 01:16:05,929 RENFIELD. 1438 01:16:05,962 --> 01:16:07,797 WE MUST RELEASE RENFIELD. 1439 01:16:07,831 --> 01:16:09,799 HE IS OUR ONLY HOPE. 1440 01:16:09,833 --> 01:16:11,935 HE CALLED DRACULA MASTER! 1441 01:16:11,968 --> 01:16:14,237 I THOUGHT HE SAID, "MISTER." 1442 01:16:14,270 --> 01:16:16,272 THAT WAS ONLY A RUSE 1443 01:16:16,305 --> 01:16:18,608 TO FOOL THE FEEBLE-MINDED. 1444 01:16:18,642 --> 01:16:19,609 NO OFFENSE. 1445 01:16:19,643 --> 01:16:20,744 I UNDERSTAND. 1446 01:16:20,777 --> 01:16:22,145 RENFIELD WILL GO STRAIGHT TO DRACULA. 1447 01:16:22,178 --> 01:16:23,379 JA. 1448 01:16:23,412 --> 01:16:25,281 AND WE WILL FOLLOW. 1449 01:16:25,314 --> 01:16:26,783 THIS WAY. 1450 01:16:31,120 --> 01:16:33,623 YOU'LL STAY HERE TILL YOU ROT. 1451 01:16:33,657 --> 01:16:35,058 AAH! 1452 01:16:35,091 --> 01:16:37,293 [CRYING] 1453 01:16:38,762 --> 01:16:40,363 WELL, YOU'RE FREE TO GO. 1454 01:16:40,396 --> 01:16:41,731 FREE TO GO? 1455 01:16:41,765 --> 01:16:43,166 WHY? HOW? 1456 01:16:43,199 --> 01:16:44,634 GOOD BEHAVIOR. 1457 01:16:44,668 --> 01:16:46,736 BUT I'VE ONLY BEEN IN HERE FOR A MOMENT. 1458 01:16:46,770 --> 01:16:47,937 WELL, FOR THAT MOMENT, 1459 01:16:47,971 --> 01:16:50,339 YOUR BEHAVIOR WAS VERY GOOD. 1460 01:16:50,373 --> 01:16:51,340 OHH. 1461 01:16:51,374 --> 01:16:52,942 LET'S GO. 1462 01:16:55,078 --> 01:16:57,346 WATCH YOUR STEP. 1463 01:16:58,281 --> 01:17:00,316 I'M COMING, MASTER! 1464 01:17:00,349 --> 01:17:01,918 UH UHN. 1465 01:17:01,951 --> 01:17:03,419 I KNOW WHAT THEY'RE UP TO. 1466 01:17:03,452 --> 01:17:05,689 THEY THINK I'LL LEAD THEM TO THE MASTER. 1467 01:17:05,722 --> 01:17:08,357 I MUST OUTSMART THEM. 1468 01:17:20,336 --> 01:17:22,672 LOST 'EM. 1469 01:17:25,308 --> 01:17:27,811 GENTLEMEN, WE ARE FORTUNATE. 1470 01:17:27,844 --> 01:17:28,812 WHY? 1471 01:17:28,845 --> 01:17:31,080 HE'S AN IMBECILE. COME. 1472 01:17:52,836 --> 01:17:55,071 HA HA HA HA! 1473 01:17:57,073 --> 01:17:59,075 MASTER, I'M HERE! 1474 01:18:01,410 --> 01:18:03,813 RENFIELD. ARE YOU SURE YOU WERE NOT FOLLOWED HERE? 1475 01:18:03,847 --> 01:18:05,882 NO. I LED THEM IN THE WRONG DIRECTION. 1476 01:18:05,915 --> 01:18:07,817 THEY HAVE NO IDEA WHERE I AM. 1477 01:18:07,851 --> 01:18:10,019 Seward: HE WENT INTO THE CHAPEL! HURRY! 1478 01:18:10,053 --> 01:18:11,454 YOU HAVE LED THEM RIGHT TO ME, 1479 01:18:11,487 --> 01:18:13,122 YOU STUPID NINCOMPOOP. 1480 01:18:13,156 --> 01:18:15,759 I DIDN'T KNOW! I'M SORRY, MASTER. 1481 01:18:15,792 --> 01:18:16,760 PUNISH ME! 1482 01:18:16,793 --> 01:18:18,161 NO. NO, GO. LEAD THEM AWAY. 1483 01:18:18,194 --> 01:18:19,362 I DON'T HAVE ANY TIME. 1484 01:18:19,395 --> 01:18:20,830 NO! YOU MUST PUNISH ME! 1485 01:18:20,864 --> 01:18:21,998 HURT ME! I DESERVE IT! 1486 01:18:22,031 --> 01:18:23,299 NOT NOW! 1487 01:18:23,332 --> 01:18:25,434 BUT I FAILED YOU, MASTER! 1488 01:18:25,468 --> 01:18:28,204 I'M A USELESS, PITIFUL FOOL 1489 01:18:28,237 --> 01:18:29,505 WHO HAS BETRAYED YOU! 1490 01:18:29,538 --> 01:18:31,775 YOU MUST HURT ME! 1491 01:18:31,808 --> 01:18:33,409 ALL RIGHT! 1492 01:18:33,442 --> 01:18:34,778 [BONES CRACKING] 1493 01:18:34,811 --> 01:18:36,479 GOOD, MASTER. 1494 01:18:36,512 --> 01:18:37,881 [LOUD CRACKING] 1495 01:18:37,914 --> 01:18:40,083 GOOD. GOOD. 1496 01:18:40,116 --> 01:18:41,384 [CRACKING] 1497 01:18:41,417 --> 01:18:43,920 [HIGH-PITCHED VOICE] OK. THAT'S ENOUGH. 1498 01:18:45,822 --> 01:18:46,823 AAH! 1499 01:18:46,856 --> 01:18:50,226 EEE! AII! OWW! OOH! 1500 01:18:50,259 --> 01:18:51,961 WHY? 1501 01:18:55,398 --> 01:18:56,532 UP THERE! 1502 01:18:56,565 --> 01:18:58,034 [HISSES] 1503 01:18:58,067 --> 01:19:00,536 OHH! 1504 01:19:00,569 --> 01:19:02,305 OHH! 1505 01:19:02,338 --> 01:19:05,208 AII! NNNN OOH! 1506 01:19:06,976 --> 01:19:08,978 UNH! IT'S LOCKED! 1507 01:19:09,012 --> 01:19:10,947 WE MUST BREAK IT OPEN! 1508 01:19:10,980 --> 01:19:12,481 PUT YOUR WEIGHT INTO IT. 1509 01:19:12,515 --> 01:19:14,083 DOCTOR. COUNT. 1510 01:19:14,117 --> 01:19:15,785 GOOD, GOOD. 1511 01:19:19,322 --> 01:19:21,390 Van Helsing: PUT YOUR WEIGHT INTO IT! 1512 01:19:23,559 --> 01:19:25,795 THEY ARE TOO LATE. 1513 01:19:25,829 --> 01:19:30,834 SOON YOU WILL BE MY BRIDE FOR ETERNITY. 1514 01:19:33,436 --> 01:19:35,071 GOOD. KEEP IT UP! 1515 01:19:35,104 --> 01:19:36,405 HARDER! 1516 01:19:39,909 --> 01:19:42,078 Van Helsing: THE HINGE IS ON ITS WAY! 1517 01:19:42,111 --> 01:19:43,079 EIN! 1518 01:19:43,112 --> 01:19:44,147 ZWEI! 1519 01:19:44,180 --> 01:19:45,781 DREI! 1520 01:19:51,554 --> 01:19:53,890 [GROANING] 1521 01:19:55,024 --> 01:19:56,525 AAH! 1522 01:19:58,627 --> 01:20:00,396 OHH! 1523 01:20:01,998 --> 01:20:03,532 JONATHAN, DUCK! 1524 01:20:03,566 --> 01:20:05,268 OOF! 1525 01:20:05,301 --> 01:20:06,535 AAH! 1526 01:20:14,878 --> 01:20:16,145 BACK! AAH! 1527 01:20:16,179 --> 01:20:17,513 JONATHAN, GET THAT STAKE! 1528 01:20:17,546 --> 01:20:19,215 A SHARP WOODEN STICK! 1529 01:20:19,248 --> 01:20:20,616 ANYTHING! 1530 01:20:20,649 --> 01:20:22,085 BACK! 1531 01:20:22,118 --> 01:20:25,021 GOOD! GOOD. 1532 01:20:25,054 --> 01:20:28,024 NOW DRIVE IT THROUGH HIS HEART! 1533 01:20:28,057 --> 01:20:29,893 UH-OH! 1534 01:20:29,926 --> 01:20:31,160 ARRGGH! 1535 01:20:31,194 --> 01:20:32,862 Van Helsing: LOOK OUT! 1536 01:20:43,172 --> 01:20:46,575 HA HA HA HA! 1537 01:20:50,914 --> 01:20:53,917 ARROGANT MORTAL. 1538 01:20:53,950 --> 01:20:57,486 YOU ARE IN MY WORLD NOW, 1539 01:20:57,520 --> 01:21:00,890 AND YOU WILL NEVER LEAVE THIS ATTIC ALIVE. 1540 01:21:00,924 --> 01:21:04,127 I WILL DESTROY YOU, 1541 01:21:04,160 --> 01:21:07,964 AND THEN I WILL POSSESS SHE WHOM YOU LOVE THE MOST. 1542 01:21:07,997 --> 01:21:10,299 AND THERE IS NOT A SINGLE THING IN THE WORLD 1543 01:21:10,333 --> 01:21:12,568 YOU CAN DO TO STOP ME. 1544 01:21:12,601 --> 01:21:14,003 HA HA HA-- 1545 01:21:14,037 --> 01:21:15,371 OW! 1546 01:21:18,307 --> 01:21:19,375 [HISSES] [GASPING] 1547 01:21:19,408 --> 01:21:20,609 AAH! 1548 01:21:20,643 --> 01:21:22,912 FOR THAT, YOU WILL WATCH 1549 01:21:22,946 --> 01:21:24,447 WHILE WITH YOUR BELOVED MINA, 1550 01:21:24,480 --> 01:21:27,583 I CONSUMMATE OUR MARRIAGE. 1551 01:21:27,616 --> 01:21:29,953 [ANGELIC SINGING] 1552 01:21:32,155 --> 01:21:34,157 AAH! 1553 01:21:44,233 --> 01:21:47,670 OW! OWW! 1554 01:21:47,703 --> 01:21:49,072 AAH! OOH OOH! 1555 01:21:51,340 --> 01:21:52,441 AAH! 1556 01:21:52,475 --> 01:21:53,442 AAH! 1557 01:21:53,476 --> 01:21:55,611 [SCREAMING] 1558 01:22:03,319 --> 01:22:05,221 [SQUEAKING] 1559 01:22:05,254 --> 01:22:07,423 GRAB HIM! HE'S GETTING AWAY! 1560 01:22:07,456 --> 01:22:09,058 GRAB HIM! 1561 01:22:15,131 --> 01:22:16,432 WHERE IS HE? WHERE DID HE GO? 1562 01:22:16,465 --> 01:22:18,701 Jonathan: HE'S UP THERE. 1563 01:22:18,734 --> 01:22:20,369 WE MUST CATCH HIM, 1564 01:22:20,403 --> 01:22:23,006 OR ELSE ALL IS LOST. 1565 01:22:23,739 --> 01:22:26,442 [SIGHS DEEPLY] 1566 01:22:26,475 --> 01:22:28,144 MASTER. 1567 01:22:28,177 --> 01:22:30,013 THIS WAY! 1568 01:22:30,046 --> 01:22:32,548 AAH! AAH! 1569 01:22:32,581 --> 01:22:35,418 [HIGH-PITCHED] RENFIELD, YOU ASSHOLE! 1570 01:22:38,554 --> 01:22:40,556 OHH. 1571 01:22:42,758 --> 01:22:44,193 OH! 1572 01:22:45,428 --> 01:22:46,695 WHERE AM I? 1573 01:22:46,729 --> 01:22:48,331 WHAT'S HAPPENED TO DRACULA? 1574 01:22:48,364 --> 01:22:49,365 HE'S DEAD. 1575 01:22:49,398 --> 01:22:50,366 JA. 1576 01:22:50,399 --> 01:22:51,634 AND YOU'RE FREE. 1577 01:22:51,667 --> 01:22:53,436 OH, THANK GOD. 1578 01:22:53,469 --> 01:22:57,540 YOU'RE MY OWN SWEET, INNOCENT MINA AGAIN. 1579 01:22:57,573 --> 01:23:02,111 OH, AND I HAVE YOU, MY DARLING JONATHAN, 1580 01:23:02,145 --> 01:23:03,679 TO THANK FOR IT. 1581 01:23:05,214 --> 01:23:07,683 AND NOW, MY DEAREST... 1582 01:23:09,185 --> 01:23:11,287 LET ME TAKE YOU HOME. 1583 01:23:18,194 --> 01:23:20,329 [MOANING] 1584 01:23:23,699 --> 01:23:25,468 MASTER. 1585 01:23:25,501 --> 01:23:27,770 [CRYING] 1586 01:23:27,803 --> 01:23:31,207 I'M SORRY! 1587 01:23:31,240 --> 01:23:33,042 FORGIVE ME. 1588 01:23:42,451 --> 01:23:48,724 THERE. YOU'RE STARTING TO LOOK LIKE YOUR OLD SELF AGAIN. 1589 01:23:53,529 --> 01:23:56,499 YOUR MASTER IS GONE FOREVER, MR. RENFIELD. 1590 01:23:56,532 --> 01:23:59,535 YOU ARE YOUR OWN MAN NOW. 1591 01:23:59,568 --> 01:24:00,803 I AM? 1592 01:24:00,836 --> 01:24:03,472 YES. NO ONE WILL EVER CONTROL YOU AGAIN. 1593 01:24:03,506 --> 01:24:05,174 YOU'RE RIGHT. 1594 01:24:05,208 --> 01:24:06,175 GOOD. 1595 01:24:06,209 --> 01:24:07,376 COME, RENFIELD. 1596 01:24:07,410 --> 01:24:09,145 YES, MASTER. 1597 01:24:19,588 --> 01:24:21,724 [SIGHS] 1598 01:24:23,892 --> 01:24:25,294 [SPEAKING MOLDAVIAN] 1599 01:24:26,662 --> 01:24:28,797 [CZARDAS PLAYING] 1600 01:24:33,702 --> 01:24:36,639 CAPTIONING MADE POSSIBLE BY WARNER BROS. 1601 01:24:36,672 --> 01:24:40,709 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 1602 01:29:42,445 --> 01:29:46,682 [DRACULA, SPEAKING MOLDAVIAN] 1603 01:29:46,715 --> 01:29:48,551 [LAUGHS]